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As a general rule, I tend to collaborate with artists whose work I admire.

Vivek Shraya

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Vivek Shraya
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More quotes by Vivek Shraya

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In poetry, I didn't have to provide resolution. I could ask hard questions without feeling responsible for the answers.
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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.
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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
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I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
Vivek Shraya
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In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of multiculturalism.
Vivek Shraya
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When I was writing, I wanted every word to be not only deliberate, but musical. Precious.
Vivek Shraya
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I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
Vivek Shraya
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I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
Vivek Shraya
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I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
Vivek Shraya
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Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
Vivek Shraya
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When I wouldn't leave home without my blue contacts or when I was bleaching my hair, I didn't have the language to articulate that I was trying to assimilate to whiteness. If anything, I was trying to look normal.
Vivek Shraya
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I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
Vivek Shraya
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I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
Vivek Shraya
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I do use art as a site of protest, particularly in relation to dominant narratives.
Vivek Shraya
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Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
Vivek Shraya
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Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
Vivek Shraya
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Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
Vivek Shraya
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I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
Vivek Shraya
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As a person of color, I know race can't be stripped from admiration or preference.
Vivek Shraya
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I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
Vivek Shraya