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I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.
Vivek Shraya
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More quotes by Vivek Shraya
I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
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I do use art as a site of protest, particularly in relation to dominant narratives.
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I always work with text orally in the writing process, saying passages aloud to measure flow.
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I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
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If anything, I have witnessed the ways my art travels, or is rendered more accessible, when sanctioned by or connected to white artists.
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When I do book readings, I always incorporate music or singing.
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Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
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I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then accidentally sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
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Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
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I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
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As a person of color, I know race can't be stripped from admiration or preference.
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I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.
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In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of multiculturalism.
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I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
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Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
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My art career often feels less like an art career and more like a career in educating, usually by using my body.
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As a brown artist, I have mixed feelings about my relationship to art and my responsibilities post-Trump.
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I continue to explore poetry.
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I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
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