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I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.

Vivek Shraya

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Vivek Shraya
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Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
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I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then accidentally sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
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I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
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As a general rule, I tend to collaborate with artists whose work I admire.
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Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
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I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
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As a person of color, I know race can't be stripped from admiration or preference.
Vivek Shraya
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I always work with text orally in the writing process, saying passages aloud to measure flow.
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When I do book readings, I always incorporate music or singing.
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It's exciting to consider how art, in its ability to reveal, can be ahead of the artist.
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Art can sometimes be separate from the artist.
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I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
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I continue to explore poetry.
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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
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I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
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I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
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I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
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I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
Vivek Shraya
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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.
Vivek Shraya
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If anything, I have witnessed the ways my art travels, or is rendered more accessible, when sanctioned by or connected to white artists.
Vivek Shraya