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In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of multiculturalism.
Vivek Shraya
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More quotes by Vivek Shraya
I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
Vivek Shraya
I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then accidentally sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
Vivek Shraya
In poetry, I didn't have to provide resolution. I could ask hard questions without feeling responsible for the answers.
Vivek Shraya
I think white artists have a responsibility to be not only naming white supremacy, but to be using their power and privilege to support artists of color.
Vivek Shraya
My art career often feels less like an art career and more like a career in educating, usually by using my body.
Vivek Shraya
As a brown artist, I have mixed feelings about my relationship to art and my responsibilities post-Trump.
Vivek Shraya
When I do book readings, I always incorporate music or singing.
Vivek Shraya
Art can sometimes be separate from the artist.
Vivek Shraya
I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
Vivek Shraya
I always work with text orally in the writing process, saying passages aloud to measure flow.
Vivek Shraya
I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.
Vivek Shraya
Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
Vivek Shraya
Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
Vivek Shraya
My intention was never to write a trans novel - which is perhaps an effective strategy for writing a trans novel.
Vivek Shraya
I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
Vivek Shraya
Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
Vivek Shraya
My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
Vivek Shraya
Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
Vivek Shraya
I do use art as a site of protest, particularly in relation to dominant narratives.
Vivek Shraya
Of course, I can't separate my queerness from my brownness - if anything, my queerness amplifies my brownness, and vice versa - but I spent so much of my early twenties trying to erase my differences, often without awareness of what I was doing.
Vivek Shraya