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I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
Vivek Shraya
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More quotes by Vivek Shraya
Writing about racism requires a directness that writing a love story does not.
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Music is my first love, where my artistic journey began.
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I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
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I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
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In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of multiculturalism.
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Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
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I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then accidentally sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
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Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
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My intention was never to write a trans novel - which is perhaps an effective strategy for writing a trans novel.
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As a brown artist, I have mixed feelings about my relationship to art and my responsibilities post-Trump.
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As a general rule, I tend to collaborate with artists whose work I admire.
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I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
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As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
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Art can sometimes be separate from the artist.
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I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
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Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
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Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
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I especially worry about the ways Canadians can be glib about our supposed difference from the US in our acceptance of diversity.
Vivek Shraya
My art career often feels less like an art career and more like a career in educating, usually by using my body.
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