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I always work with text orally in the writing process, saying passages aloud to measure flow.

Vivek Shraya

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Vivek Shraya
Always
Passages
Text
Measure
Flow
Saying
Process
Writing
Orally
Work
Aloud

More quotes by Vivek Shraya

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Music is my first love, where my artistic journey began.
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As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
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I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
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My intention was never to write a trans novel - which is perhaps an effective strategy for writing a trans novel.
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Writing about racism requires a directness that writing a love story does not.
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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.
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I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
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My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
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I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
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I continue to explore poetry.
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When I was writing, I wanted every word to be not only deliberate, but musical. Precious.
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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
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Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
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I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
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I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
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I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
Vivek Shraya
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I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
Vivek Shraya
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I think white artists have a responsibility to be not only naming white supremacy, but to be using their power and privilege to support artists of color.
Vivek Shraya
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Of course, I can't separate my queerness from my brownness - if anything, my queerness amplifies my brownness, and vice versa - but I spent so much of my early twenties trying to erase my differences, often without awareness of what I was doing.
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In poetry, I didn't have to provide resolution. I could ask hard questions without feeling responsible for the answers.
Vivek Shraya