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I always work with text orally in the writing process, saying passages aloud to measure flow.

Vivek Shraya

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Vivek Shraya
Writing
Orally
Work
Aloud
Always
Passages
Text
Measure
Flow
Saying
Process

More quotes by Vivek Shraya

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In poetry, I didn't have to provide resolution. I could ask hard questions without feeling responsible for the answers.
Vivek Shraya
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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.
Vivek Shraya
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Of course, I can't separate my queerness from my brownness - if anything, my queerness amplifies my brownness, and vice versa - but I spent so much of my early twenties trying to erase my differences, often without awareness of what I was doing.
Vivek Shraya
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I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
Vivek Shraya
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As a person of color, I know race can't be stripped from admiration or preference.
Vivek Shraya
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I continue to explore poetry.
Vivek Shraya
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I think white artists have a responsibility to be not only naming white supremacy, but to be using their power and privilege to support artists of color.
Vivek Shraya
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Music is my first love, where my artistic journey began.
Vivek Shraya
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As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
Vivek Shraya
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Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
Vivek Shraya
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I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.
Vivek Shraya
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My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
Vivek Shraya
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I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then accidentally sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
Vivek Shraya
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In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of multiculturalism.
Vivek Shraya
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Writing about racism requires a directness that writing a love story does not.
Vivek Shraya
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My art career often feels less like an art career and more like a career in educating, usually by using my body.
Vivek Shraya
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I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
Vivek Shraya
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I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
Vivek Shraya
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I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
Vivek Shraya
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I especially worry about the ways Canadians can be glib about our supposed difference from the US in our acceptance of diversity.
Vivek Shraya