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I always work with text orally in the writing process, saying passages aloud to measure flow.

Vivek Shraya

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Vivek Shraya
Process
Writing
Orally
Work
Aloud
Always
Passages
Text
Measure
Flow
Saying

More quotes by Vivek Shraya

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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.
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I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
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As a general rule, I tend to collaborate with artists whose work I admire.
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In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of multiculturalism.
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I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
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Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
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As a person of color, I know race can't be stripped from admiration or preference.
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Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
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Art can sometimes be separate from the artist.
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As a brown artist, I have mixed feelings about my relationship to art and my responsibilities post-Trump.
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I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
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Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
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Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
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I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
Vivek Shraya
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My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
Vivek Shraya
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It's exciting to consider how art, in its ability to reveal, can be ahead of the artist.
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I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
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I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
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I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.
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