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I feel like I have had to catch up to the art I've made, and learn from the protagonists I have written, especially in relation to gender.
Vivek Shraya
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Vivek Shraya
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More quotes by Vivek Shraya
I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
Vivek Shraya
In poetry, I didn't have to provide resolution. I could ask hard questions without feeling responsible for the answers.
Vivek Shraya
My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
Vivek Shraya
I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
Vivek Shraya
Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
Vivek Shraya
I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then accidentally sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
Vivek Shraya
I especially worry about the ways Canadians can be glib about our supposed difference from the US in our acceptance of diversity.
Vivek Shraya
As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
Vivek Shraya
Music is my first love, where my artistic journey began.
Vivek Shraya
I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.
Vivek Shraya
Art can sometimes be separate from the artist.
Vivek Shraya
I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
Vivek Shraya
My art career often feels less like an art career and more like a career in educating, usually by using my body.
Vivek Shraya
When I wouldn't leave home without my blue contacts or when I was bleaching my hair, I didn't have the language to articulate that I was trying to assimilate to whiteness. If anything, I was trying to look normal.
Vivek Shraya
Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
Vivek Shraya
I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
Vivek Shraya
I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
Vivek Shraya
When I was writing, I wanted every word to be not only deliberate, but musical. Precious.
Vivek Shraya
I always work with text orally in the writing process, saying passages aloud to measure flow.
Vivek Shraya
As a brown artist, I have mixed feelings about my relationship to art and my responsibilities post-Trump.
Vivek Shraya