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It's not the bullet that kills you, it's the hole.
Vito Acconci
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Vito Acconci
Age: 77 †
Born: 1940
Born: January 24
Died: 2017
Died: April 27
Architect
Artist
Designer
Illustrator
Landscape Architect
Performance Artist
Photographer
Poet
Television Producer
Video Artist
The Bronx
New York City
Vito Hannibal Acconci
Vito Acconi
Vito Acconci (Hannibal)
Hole
Holes
Bullet
Kills
Bullets
More quotes by Vito Acconci
Maybe I had to stop photographing so that I could learn to touch.
Vito Acconci
I'm using my own person in pieces, but I'm trying to turn my person into a nonperson in the sense of a person without will, without volition. I'm subjecting myself to a scheme.
Vito Acconci
I wish we could make buildings that could constantly explode and come back in different ways. The idea of a changing environment suggests that if your environment changes all the time, then maybe your ideas will change all the time.
Vito Acconci
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
Vito Acconci
[Photography was necessary to] make my place in the art-world: in order to do this, I had to make a picture, since a picture was what a gallery or museum was meant to hold (all the while, of course, I was claiming that I was denying the standard, rejecting it...)
Vito Acconci
Even though I always claimed that I didn't want to write about something - once I wasn't writing fiction, anyway I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.
Vito Acconci
I became much more interested in plot when I really didn't consider myself a writer anymore. When I was in an art context and I started to do installations, that was when writing of mine almost returned to fiction. Earlier I felt like I didn't have anything to write about, I could only concentrate on the page, I could only concentrate on words.
Vito Acconci
Public space can be a lot better with some private space to contradict it and vice versa. It keeps the system alive. If the system is just one thing, then it's closed and it eventually dies.
Vito Acconci
Rather than attend to a world considered as if it's out there, I have to start to attend to me. That led to some things that I never wanted it to lead to, person as a sort of psychological miasma. I started to get wrapped up in self, and then, for the first time, self did become an autobiographical self.
Vito Acconci
Yeah, it's not that I wanted to do a painting, I wanted to do writing like that. What jolted me about Jasper Johns was how important it is to start with a convention, how important it is to start with what everybody knows and everybody takes for granted, whether it's a number, an alphabet letter, a set of alphabet letters, a target.
Vito Acconci
Sometimes when you come from outside a discipline you pay attention to things that insiders take for granted. I admit that sometimes I feel hesitant in the midst of other architects. I can't help thinking that they know more than I do, but I also feel that maybe I can go in directions they learned you're not supposed to go in.
Vito Acconci
I was always fascinated by diagramming a sentence. Because that is going into a space, going into a world of language.
Vito Acconci
Writing was always a laborious thing for me. I never wrote fluently, I never wrote fluidly, there was something very awkward in my writing. But it seemed to me purposely awkward. It's almost as if I made the labor part of writing.
Vito Acconci
I came from the time of so-called New Criticism - the poem in itself, the writing in itself - but around that time I had come across a critic called Kenneth Burke, who wrote a book called A Rhetoric of Motives, and it seemed to talk about another way, and gradually I realized that other way was that the reader made a difference.
Vito Acconci
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
Vito Acconci
Everybody uses labels: they give you a handle on things - an over-simplified handle, sure, but without labels, without ads, without words, the world would be an indistinguishable mass, a blur. You can hope, maybe, that people ascribe so many labels to you that none wins out
Vito Acconci
I always thought of writing as public, I never thought of writing a diary. I had been struck by, jolted by things I had read, and I wanted to do the same to others. I don't think it ever was the notion of an autobiography I skipped that phase totally, I think.
Vito Acconci
Especially once those poetry events began, because, yeah, the stuff was still on the page, but the page was starting to spill into real space, spill into air, once you could hear it, once there was a typewriter, once there was a body of a typist, it was getting rid of the confines of the page.
Vito Acconci
[My early performance work] started by being the activity of a person, any person, like any other - but once that person became photographed it became a specialized person, the object of a personality cult.
Vito Acconci
Architecture is not about space but about time.
Vito Acconci
