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As for 'drawing you out,' please believe I don't do such things deliberately, with an object -- It's only that I am, as a rule, far more interested in people than they are in me -- But it makes me a nuisance, I know: only an innocent nuisance.

Virginia Woolf

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Virginia Woolf
Age: 59 †
Born: 1882
Born: January 25
Died: 1941
Died: March 28
Author
Autobiographer
Diarist
Essayist
Feminist
Literary Critic
Novelist
Publisher
Short Story Writer
Writer
London
England
Virxhinia Ulf
Virginia yo juanito Adeline Woolf
Virg̔inyah Vold
Virdžiniâ Vulf
Virdzhiniia Vulf
Virzhinia Ulf
Virginia Stephen
Virzhin︠iia Ulf
Adeline Virginia Stephen
Virginyah Volf
Adeline Virginia Woolf
Virginia Adeline Woolf
Adeline Virginia Stephen Woolf
Birtzinia Gulph
Virginia Stephen Woolf
Woolf
Virginia
1882-1941
Rule
Interested
Objects
Please
Nuisance
Makes
Deliberately
Believe
Innocent
Things
Drawing
People
Object

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Unless you catch ideas on the wing and nail them down, you will soon cease to have any.
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Habits and customs are a convenience devised for the support of timid natures who dare not allow their souls free play.
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So that is marriage, Lily thought, a man and a woman looking at a girl throwing a ball
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A feminist is any woman who tells the truth about her life
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It was strange to think that all the great women of fiction were, until Jane Austen's day, not only seen by the other sex, but seen only in relation to the other sex. And how small a part of woman's life is that.
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The connection between dress and war is not far to seek your finest clothes are those you wear as soldiers.
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She felt drawing further from her and further from her an Archduke, (she did not mind that) a fortune, (she did not mind that) the safety and circumstance of married life, (she did not mind that) but life she heard going from her, and a lover.
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Effort ceases. Time flaps on the mast. There we stop there we stand. Rigid, the skeleton of habit alone upholds the human frame
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As a creator of character his peculiarity is that he creates wherever his eyes rest ... With such a power at his command Dickens made his books blaze up, not by tightening the plot or sharpening the wit, but by throwing another handful of people upon the fire.
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... the transaction between a writer and the spirit of the age is one of infinite delicacy, and upon a nice arrangement between the two the whole fortune of his works depend.
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I have made up thousands of stories I have filled innumerable notebooks with phrases to be used when I have found the true story, the one story to which all these phrases refer. But I have never yet found the story. And I begin to ask, Are there stories?
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It would be a thousand pities if women wrote like men, or lived like men, or looked like men, for if two sexes are quite inadequate, considering the vastness and variety of the world, how should we manage with one only? Ought not education to bring out and fortify the differences rather than the similarities?
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He lay on his chair with his hands clasped above his paunch not reading, or sleeping, but basking like a creature gorged with existence.
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Peter would think her sentimental. So she was. For she had come to feel that it was the only thing worth saying – what one felt. Cleverness was silly. One must say simply what one felt.
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One cannot bring children into a world like this. One cannot perpetuate suffering, or increase the breed of these lustful animals, who have no lasting emotions, but only whims and vanities, eddying them now this way, now that.
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But he could not taste, he could not feel. In the teashop among the tables and the chattering waiters the appalling fear came over him- he could not feel. He could reason he could read, Dante for example, quite easily…he could add up his bill his brain was perfect it must be the fault of the world then- that he could not feel.
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We live in constant danger of coming apart. The mystery of why we do not always come apart is the animating tension of all art.
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Tragedies come in the hungry hours.
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But when the self speaks to the self, who is speaking? The entombed soul, the spirit driven in, in, in to the central catacomb the self that took the veil and left the world -- a coward perhaps, yet somehow beautiful, as it flits with its lantern restlessly up and down the dark corridors.
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Let a man get up and say, Behold, this is the truth, and instantly I perceive a sandy cat filching a piece of fish in the background. Look, you have forgotten the cat, I say.
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