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Women have burnt like beacons in all the works of all the poets from the beginning of time.

Virginia Woolf

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Virginia Woolf
Age: 59 †
Born: 1882
Born: January 25
Died: 1941
Died: March 28
Author
Autobiographer
Diarist
Essayist
Feminist
Literary Critic
Novelist
Publisher
Short Story Writer
Writer
London
England
Virxhinia Ulf
Virginia yo juanito Adeline Woolf
Virg̔inyah Vold
Virdžiniâ Vulf
Virdzhiniia Vulf
Virzhinia Ulf
Virginia Stephen
Virzhin︠iia Ulf
Adeline Virginia Stephen
Virginyah Volf
Adeline Virginia Woolf
Virginia Adeline Woolf
Adeline Virginia Stephen Woolf
Birtzinia Gulph
Virginia Stephen Woolf
Woolf
Virginia
1882-1941
Poet
Beginning
Poetry
Works
Women
Time
Beacons
Like
Burnt
Poets

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My notion's to think of the human beings first and let the abstract ideas take care of themselves.
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Doesn't one always think of the past, in a garden with men and women lying under the trees? Aren't they one's past, all that remains of it, those men and women, those ghosts lying under the trees ... one's happiness, one's reality?
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Be truthful, and the result is bound to be amazingly interesting.
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Of the rest some we know to be dead though they walk among us some are not yet born though they go through the forms of life others are hundreds of years old though they call themselves thirty-six.
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But when we sit together, close,’ said Bernard, ‘we melt into each other with phrases. We are edged with mist. We make an unsubstantial territory.
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I see through most people I'm hardly ever wrong. I see at once what they've got in them.
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As long as she thinks of a man, nobody objects to a woman thinking.
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Biography is to give a man some kind of shape after his death.
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All women together ought to let flowers fall upon the tomb of Aphra Behn, for it was she who earned them the right to speak their minds.
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Now the writer, I think, has the chance to live more than other people in the presence of ... reality. It is his business to find it and collect it and communicate it to the rest of us.
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I'm terrified of passive acquiescence. I live in intensity.
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What a labour writing is ... making one sentence do the work of a page that's what I call hard work.
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But Sasha who after all had no English blood in her but was from Russia where the sunsets are longer, the dawns less sudden, and sentences often left unfinished from doubt as to how best to end them.
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For nothing was simply one thing.
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The best letters of our time are precisely those that can never be published.
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To survive, each sentence must have, at its heart, a little spark of fire, and this, whatever the risk, the novelist must pluck with his own hands from the blaze.
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It is curious how instinctively one protects the image of oneself from idolatry or any other handling that could make it ridiculous, or too unlike the original to be believed any longer.
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