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Lines slip easily down the accustomed grooves. The old designs are copied so glibly that we are half inclined to think them original, save for that very glibness.

Virginia Woolf

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Virginia Woolf
Age: 59 †
Born: 1882
Born: January 25
Died: 1941
Died: March 28
Author
Autobiographer
Diarist
Essayist
Feminist
Literary Critic
Novelist
Publisher
Short Story Writer
Writer
London
England
Virxhinia Ulf
Virginia yo juanito Adeline Woolf
Virg̔inyah Vold
Virdžiniâ Vulf
Virdzhiniia Vulf
Virzhinia Ulf
Virginia Stephen
Virzhin︠iia Ulf
Adeline Virginia Stephen
Virginyah Volf
Adeline Virginia Woolf
Virginia Adeline Woolf
Adeline Virginia Stephen Woolf
Birtzinia Gulph
Virginia Stephen Woolf
Woolf
Virginia
1882-1941
Design
Inclined
Lines
Slip
Slips
Half
Accustomed
Glibly
Think
Originals
Grooves
Thinking
Original
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Easily
Groove
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It was a silly, silly dream, being unhappy.
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It was the intimacy, a sort of spiritual suppleness, when mind prints upon mind indelibly.
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madam, the man cried, leaping to the ground, you're hurt! I'm dead, sir! she replied. A few minutes later, they became engaged.
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Come indoors then, and open the books on your library shelves. For you have a library and a good one. A working library, a living library a library where nothing is chained down and nothing is locked up a library where the songs of the singers rise naturally from the lives of the livers.
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She was like a crinkled poppy with the desire to drink dry dust.
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Her life was a tissue of vanity and deceit.
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As for 'drawing you out,' please believe I don't do such things deliberately, with an object -- It's only that I am, as a rule, far more interested in people than they are in me -- But it makes me a nuisance, I know: only an innocent nuisance.
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women have always been poor, not for two hundred years merely, but from the beginning of time. ... Women, then, have not had a dog's chance of writing poetry. That is why I have laid so much stress on money and a room of one's own.
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Travelers are much at the mercy of phrases ... vast generalizations formulate in their exposed brains.
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Nothing induces me to read a novel except when I have to make money by writing about it. I detest them.
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Happily, at forty-six I still feel as experimental and on the verge of getting at the truth as ever.
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Women have sat indoors all these millions of years, so that by this time the very walls are permeated by their creative force, which has, indeed, so overcharged the capacity of bricks and mortar that it must needs harness itself to pens and brushes and business and politics.
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To make ideas effective, we must be able to fire them off. We must put them into action.
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She began framing the words of her telegram into a senseless singsong so that several park keepers looked at her with suspicion and were only brought to a favourable opinion of her sanity by noticing the pearl necklace which she wore.
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For the film maker must come by his convention, as painters and writers and musicians have done before him.
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When I cannot see words curling like rings of smoke round me I am in darkness—I am nothing.
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For once the disease of reading has laid upon the system it weakens so that it falls an easy prey to that other scourge which dwells in the ink pot and festers in the quill. The wretch takes to writing.
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London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
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The history of men's opposition to women's emancipation is more interesting perhaps than the story of that emancipation itself.
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Let us again pretend that life is a solid substance, shaped like a globe, which we turn about in our fingers. Let us pretend that we can make out a plain and logical story, so that when one matter is despatched—love for instance—we go on, in an orderly manner, to the next.
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