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I am writing to a rhythm and not to a plot.

Virginia Woolf

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Virginia Woolf
Age: 59 †
Born: 1882
Born: January 25
Died: 1941
Died: March 28
Author
Autobiographer
Diarist
Essayist
Feminist
Literary Critic
Novelist
Publisher
Short Story Writer
Writer
London
England
Virxhinia Ulf
Virginia yo juanito Adeline Woolf
Virg̔inyah Vold
Virdžiniâ Vulf
Virdzhiniia Vulf
Virzhinia Ulf
Virginia Stephen
Virzhin︠iia Ulf
Adeline Virginia Stephen
Virginyah Volf
Adeline Virginia Woolf
Virginia Adeline Woolf
Adeline Virginia Stephen Woolf
Birtzinia Gulph
Virginia Stephen Woolf
Woolf
Virginia
1882-1941
Writing
Plot
Rhythm

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Orlando naturally loved solitary places, vast views, and to feel himself for ever and ever and ever alone.
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So fine was the morning except for a streak of wind here and there that the sea and sky looked all one fabric, as if sails were stuck high up in the sky, or the clouds had dropped down into the sea.
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She came into a room she stood, as he had often seen her, in a doorway with lots of people round her. But it was Clarissa one remembered. Not that she was striking not beautiful at all there was nothing picturesque about her she never said anything specially clever there she was however there she was.
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The profound difference that divides the human race is a question of bait - whether to fish with worms or not.
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Nothing, I know, had any chance against death.
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There was no freedom in life, and certainly there was none in death.
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What is the meaning of life? That was all- a simple question one that tended to close in on one with years, the great revelation had never come. The great revelation perhaps never did come. Instead, there were little daily miracles, illuminations, matches struck unexpectedly in the dark here was one.
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Dance music ... stirs some barbaric instinct - lulled asleep in our sober lives - you forget centuries of civilization in a second, & yield to that strange passion which sends you madly whirling round the room.
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Sleep, that deplorable curtailment of the joy of life.
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Melancholy were the sounds on a winter's night.
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As a creator of character his peculiarity is that he creates wherever his eyes rest ... With such a power at his command Dickens made his books blaze up, not by tightening the plot or sharpening the wit, but by throwing another handful of people upon the fire.
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In marriage a little licence, a little independence there must be between people living together day in and day out in the same house.
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Do not move, do not go. Sink within this moment. Hold it for ever.
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One cannot bring children into a world like this. One cannot perpetuate suffering, or increase the breed of these lustful animals, who have no lasting emotions, but only whims and vanities, eddying them now this way, now that.
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The proper stuff of fiction' does not exist everything is the proper stuff of fiction, every feeling, every thought every quality of brain and spirit is drawn upon no perception comes amiss.
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... the random talk of people who have no chance of immortality and thus can speak their minds out has a setting, often, of lights, streets, houses, human beings, beautiful or grotesque, which will weave itself into the moment for ever.
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But Sasha who after all had no English blood in her but was from Russia where the sunsets are longer, the dawns less sudden, and sentences often left unfinished from doubt as to how best to end them.
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This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room.
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Those comfortably padded lunatic asylums which are known, euphemistically, as the stately homes of England.
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And it was awfully strange, he thought, how she still had the power, as she came tinkling, rustling, still had the power as she came across the room, to make the moon, which he detested, rise at Bourton on the terrace in the summer sky.
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