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I begin to long for some little language such as lovers use, broken words, inarticulate words, like the shuffling of feet on pavement.
Virginia Woolf
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Virginia Woolf
Age: 59 †
Born: 1882
Born: January 25
Died: 1941
Died: March 28
Author
Autobiographer
Diarist
Essayist
Feminist
Literary Critic
Novelist
Publisher
Short Story Writer
Writer
London
England
Virxhinia Ulf
Virginia yo juanito Adeline Woolf
Virg̔inyah Vold
Virdžiniâ Vulf
Virdzhiniia Vulf
Virzhinia Ulf
Virginia Stephen
Virzhin︠iia Ulf
Adeline Virginia Stephen
Virginyah Volf
Adeline Virginia Woolf
Virginia Adeline Woolf
Adeline Virginia Stephen Woolf
Birtzinia Gulph
Virginia Stephen Woolf
Woolf
Virginia
1882-1941
Littles
Pavement
Little
Lovers
Long
Begin
Like
Broken
Feet
Words
Language
Shuffling
Use
Inarticulate
More quotes by Virginia Woolf
Intimacy is a difficult art.
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I think writing, my writing, is a species of mediumship. I become the person.
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I always had the deepest affection for people who carried sublime tears in their silences.
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... I doubt the capacity of the human animal for being dignified in ceremony.
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I want to write a novel about Silence, he said “the things people don’t say.
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We insist, it seems, on living.
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I prefer men to cauliflowers
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One cannot bring children into a world like this. One cannot perpetuate suffering, or increase the breed of these lustful animals, who have no lasting emotions, but only whims and vanities, eddying them now this way, now that.
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Come indoors then, and open the books on your library shelves. For you have a library and a good one. A working library, a living library a library where nothing is chained down and nothing is locked up a library where the songs of the singers rise naturally from the lives of the livers.
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I'm terrified of passive acquiescence. I live in intensity.
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For such will be our ruin if you, in the immensity of your public abstractions, forget the private figure, or if we in the intensity of our private emotions forget the public world. Both houses will be ruined, the public and the private, the material and the spiritual, for they are inseparably connected.
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To survive, each sentence must have, at its heart, a little spark of fire, and this, whatever the risk, the novelist must pluck with his own hands from the blaze.
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What has praise and fame to do with poetry? Was not writing poetry a secret transaction, a voice answering a voice? So that all this chatter and praise, and blame and meeting people who admired one and meeting people who did not admire one was as ill suited as could be to the thing itself- a voice answering a voice.
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It would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare.
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Somewhere, everywhere, now hidden, now apparent in what ever is written down, is the form of a human being. If we seek to know him, are we idly occupied?
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You would get longer livelier and more frequent letters from me, if it weren't for the Christian religion. How that bell tolling at the end of the garden, dum dum, dum dum, annoys me! Why is Christianity so insistent and so sad?
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Would there be trees if we didn't see them?
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Tom's great yellow bronze mask all draped upon an iron framework. An inhibited, nerve-drawn dropped face - as if hung on a scaffold of heavy private brooding and thought.
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But our hatred is almost indistinguishable from our love.
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Better was it to go unknown and leave behind you an arch, then to burn like a meteor and leave no dust.
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