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...she always had the feeling that it was very, very dangerous to live even one day.
Virginia Woolf
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Virginia Woolf
Age: 59 †
Born: 1882
Born: January 25
Died: 1941
Died: March 28
Author
Autobiographer
Diarist
Essayist
Feminist
Literary Critic
Novelist
Publisher
Short Story Writer
Writer
London
England
Virxhinia Ulf
Virginia yo juanito Adeline Woolf
Virg̔inyah Vold
Virdžiniâ Vulf
Virdzhiniia Vulf
Virzhinia Ulf
Virginia Stephen
Virzhin︠iia Ulf
Adeline Virginia Stephen
Virginyah Volf
Adeline Virginia Woolf
Virginia Adeline Woolf
Adeline Virginia Stephen Woolf
Birtzinia Gulph
Virginia Stephen Woolf
Woolf
Virginia
1882-1941
Dangerous
Feeling
Feelings
Live
Even
Always
More quotes by Virginia Woolf
It was odd, she thought, how if one was alone, one leant to inanimate things trees, streams, flowers felt they expressed one felt they became one felt they knew one, in a sense were one felt an irrational tenderness thus (she looked at that long steady light) as for oneself.
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Life piles up so fast that I have no time to write out the equally fast rising mound of reflections.
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I feel my brains, like a pear, to see if it's ripe it will be exquisite by September.
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But I pine in Solitude. Solitude is my undoing.
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Indeed there has never been any explanation of the ebb and flow in our veins--of happiness and unhappiness.
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But it is just when opinions universally prevail and we have added lip service to their authority that we become sometimes most keenly conscious that we do not believe a word that we are saying.
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Books should stand on their own feet ... If they need shoring up by a preface here, an introduction there, they have no more right to exist than a table that needs a wad of paper under one leg in order to stand steady.
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I don't believe that you can possibly separate expression from thought in an imaginative work. The better a thing is expressed, the more completely it is thought.
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The eyes of others our prisons their thoughts our cages.
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To whom can I expose the urgency of my own passion?…There is nobody—here among these grey arches, and moaning pigeons, and cheerful games and tradition and emulation, all so skilfully organised to prevent feeling alone.
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So I have to create the whole thing afresh for myself each time. Probably all writers now are in the same boat. It is the penalty we pay for breaking with tradition, and the solitude makes the writing more exciting though the being read less so. One ought to sink to the bottom of the sea, probably, and live alone with ones words.
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The history of most women is hidden either by silence, or by flourishes and ornaments that amount to silence.
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We insist, it seems, on living.
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All artists need a room of their own
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The beauty of the world, which is so soon to perish, has two edges, one of laughter, one of anguish, cutting the heart asunder.
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I enjoy the spring more than the autumn now. One does, I think, as one gets older.
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A woman must have money and a room of her own if she is to write fiction.
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I was in a queer mood, thinking myself very old: but now I am a woman again - as I always am when I write.
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It is the duty of the writer to describe.
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We can best help you to prevent war not by repeating your words and following your methods but by finding new words and creating new methods.
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