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People often forget our emotional contribution to relationships and to marriage and that might be a completely sexist comment but, what I tried not to do [in Fences] is, I tried to just put that monologue as part of my stream of consciousness.

Viola Davis

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Viola Davis
Age: 59
Born: 1965
Born: August 11
Actress
Film Actor
Stage Actor
Television Actor
Television Producer
St. Matthews
South Carolina
La Viola Davis
Might
Tried
Monologues
People
Completely
Sexist
Marriage
Fence
Emotional
Stream
Consciousness
Comment
Forget
Streams
Often
Contribution
Monologue
Part
Relationships
Fences

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When you see what the deficit is, then you have to do something about it.
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We know the road of lack of recognition, of people telling us that we can't headline a movie because black women don't translate overseas, that every time we try to break the glass ceiling, people say no, people push back. And it's everything that people don't see out there.
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I do believe that there are African Americans who have thick accents. My mom has a thick accent my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.
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Any actor will tell you, as soon as your ego and your vanity come into the mix, it destroys your work. Completely destroys it.
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I had to invest in the love and understand that with the love comes the pain. So when he tells me that, the monologue is already there. Does that make sense?
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Even when I get the fried-chicken special of the day, I have to dig into it like it's filet mignon.
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Relationships change us and make us grow.
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I get so excited when my daughter says something new, which she is doing every day. I can leave the house for a few hours, come back and meet a totally different person. That's very exciting to me.
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I think that's something that people feel that I do really well I don't mind it, because ultimately I think the characters I play move people, and who wouldn't want to move people?
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I think that's why August [Wilson] named her Rose [in Fences] I really do. She's a rose in her sweetness and her kindness and in everything else, even her anger towards the end.
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I can't speak for the Kathryn Stockett, but I would guess that she feels proud of the progress the South has made because, growing up, she experienced a very different Mississippi than the one that exists today.
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Just because I was 30 doesn't mean I was grown. God, I was such an idiot. I was an absolute idiot at 30. And I grew up.
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No matter what, people don't think of me for glamorous parts. I'll go to an audition or a meeting in a pretty dress, and they still think of me as depressed or embattled. Hopefully, that will change.
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I am not a glam woman - this definitely is a mask I put on for the public.
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And I sit in my jacuzzi with my script.
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I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.
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Each role has its own different challenges.
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It was hard, that confrontation scene [in Fences], that was a hard one. I felt like it was relentless, I never felt like I could just drop the ball when the coverage was on him or anything else.
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If the opportunity is not out there for you to play it, then you don't see it.
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And classically not beautiful is a fancy term for saying ugly. And denouncing you. And erasing you.
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