Quote

What is drawing? How does one get there? It's working one's way through an invisible iron wall that seems to stand between what one feels and what one can do. How can one get through that wall? - since hammering on it doesn't help at all. In my view, one must undermine the wall and grind through it slowly and patiently.

Vincent Van Gogh

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Vincent Van Gogh
Age: 37 †
Born: 1853
Born: March 30
Died: 1890
Died: July 29
Botanical Illustrator
Draftsperson
Drawer
Etcher
Graphic Artist
Lithographer
Painter
Printmaker
Brooklyn
New York
Vincent Willem van Gogh
Vincent-Willem van Gogh
van Gogh
Fan-kao
van gogh
Vincent Van Gogh
Wensheng Fangu
Fan-ku
v. van gogh
Fan'gao
Fangu
Gogh
j. van gogh
Helping
Drawing
Doesn
View
Hammering
Seems
Wall
Patiently
Doe
Views
Undermine
Must
Stand
Grind
Feels
Since
Slowly
Way
Working
Iron
Help
Invisible

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When we are working at a difficult task and strive after a good thing, we are fighting a righteous battle, the direct reward of which is that we are kept from much evil. As we advance in life it becomes more and more difficult, but in fighting the difficulties the inmost strength of the heart is developed.
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Just dash something down if you see a blank canvas staring at you with a certain imbecility. You do not know how paralyzing it is, that staring of a blank canvas which says to the painter: you don't know anything.
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I want to do drawings which touch some people... In either figure or landscape I wish to express, not sentimental melancholy, but serious sorrow.
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Conscience is a man's compass, and though the needle sometimes deviates, though one often perceives irregularities in directing one's course by it, still one must try to follow its direction.
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The great isn't something accidental it must be willed.
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Well, I am ploughing on my canvases as they do on their fields (the peasants). It goes badly enough in our profession - in fact that has always been so, but at the moment it is very bad.
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Try to walk as much as you can, and keep your love for nature, for that is the true way to learn to understand art more and more. Painters understand nature and love her and teach us to see her. If one really loves nature, one can find beauty everywhere.
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As long as autumn lasts, I shall not have hands, canvas and colors enough to paint the beautiful things I see.
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It interests me tremendously to make copies... I started it by chance and I find it teaches me things.
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The majority of (painters), because they aren't colorists, do not see yellow, orange or sulphur in the South (of France) and they call a painter mad if he sees with eyes other than theirs
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An artist needn't be a clergyman or a churchwarden, but he certainly must have a warm heart for his fellow men.
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We are having wind and rain here, and I am very glad not to be alone. I work from memory on bad days, and that would not do if I were alone.
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By working hard, old man, I hope to make something good one day. I haven't yet, but I am pursuing it and fighting for it . . . .
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What would life be if we had no courage to attempt anything?
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If one truly loves nature one finds beauty everywhere.
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l can do very well without God both in my life and in my painting, but l cannot, ill as I am, do without something which is greater than l, which is my life — the power to create.
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When using colors to recreate a general harmony of tones in nature, one loses it by painfully exact imitation. One keeps it by recreating in an equivalent color range, and that may not be exactly, or far from exactly, like the model.
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I am a man of passions, capable of and subject to doing more or less foolish things- which I happen to regret, more or less, afterwards.
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Cobalt is a divine color and there is nothing as fine for putting an atmosphere round things. Carmine is the red of wine and is warm and lively like wine. The same goes for emerald green too. It's false economy to dispense with them, with those colors. Cadmium as well.
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The cure for him would be to take a good long look at some potato plants, which have lately had such a deep and distinctive colour and tone, instead of driving himself mad looking at pieces of yellow satin and gold leather.
Vincent Van Gogh