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There is something intimate about painting I cannot explain to you ? but it is so delightful just for expressing one's feelings.

Vincent Van Gogh

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Vincent Van Gogh
Age: 37 †
Born: 1853
Born: March 30
Died: 1890
Died: July 29
Botanical Illustrator
Draftsperson
Drawer
Etcher
Graphic Artist
Lithographer
Painter
Printmaker
Brooklyn
New York
Vincent Willem van Gogh
Vincent-Willem van Gogh
van Gogh
Fan-kao
van gogh
Vincent Van Gogh
Wensheng Fangu
Fan-ku
v. van gogh
Fan'gao
Fangu
Gogh
j. van gogh
Explain
Painting
Feelings
Cannot
Something
Expressing
Delightful
Intimacy
Intimate

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Occasionally, in times of worry, I've longed to be stylish, but on second thought I say no-just let me be myself-and express rough, yet true things with rough workmanship.
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Oh! I must somehow manage to do a figure in a few strokes.
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Painting as it is now promises to become more subtle - more like music and less like sculpture - and above all it promises color. If only it keeps this promise.
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The sunflower is mine, in a way.
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I always think photographs abominable, and I don't like to have them around, particularly not those of persons I know and love. Those photographic portraits wither much sooner than we ourselves do, whereas the painted portrait is a thing which is felt, done with love.
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The more ugly, older, more cantankerous, more ill and poorer I become, the more I try to make amends by making my colours more vibrant, more balanced and beaming.
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It is no more easy to make a good picture than it is to find a diamond or a pearl. It means trouble and you risk your life for it.
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Everywhere we look, complex magic of nature blazes before our eyes.
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The sight of stars always sets me dreaming just as naively as those black dots on a map set me dreaming of towns and villages. Why should these points of light in the firmament, I wonder, be less accessible than the dark ones on the map of France? We take a train to go to Torascon or Roven and we take death to a star.
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Even the knowledge of my own fallibility cannot keep me from making mistakes. Only when I fall do I get up again.
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If one has such an encounter it is to be expected it will bring him into conflict, especially conflict with himself, because one sometimes literally does not know what to do or what not to do. But is this struggle and even the mistakes one may make, not better, and do they not develop us more than if we keep systematically away from emotions?
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Seeing that I am so busily occupied with myself just now, I want to try to paint my self-portrait in writing.
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To save a life is a real and beautiful thing. To make a home for the homeless, yes, it is a thing that must be good whatever the world may say, it cannot be wrong.
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In my view, I am often immensely rich, not in money, but (although just now perhaps not all the time) rich because I have found my metier, something I can devote myself to heart and soul and that gives inspiration and meaning to my life.
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Suffice it to say that black and white are also colors... for their simultaneous contrast is as striking as that of green and red, for instance.
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Fortunately for me, I know well enough what I want, and am basically utterly indifferent to the criticism that I work to hurriedly. In answer to that, I have done some things even more hurriedly theses last few days.
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I want to do drawings which touch some people... In either figure or landscape I wish to express, not sentimental melancholy, but serious sorrow.
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Admire as much as you can. Most people do not admire enough.
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I'm now painting with all the elan of a Marseillais eating soup, which won't surprise you when I tell you I'm painting large sunflowers. The idea? To decorate the studio, now there's hope of Gauguin living here. I aim at a dozen panels of sunflowers in the room I've set aside for Gauguin.
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I must continue to follow the path I take now. If I do nothing, if I study nothing, if I cease searching, then, woe is me, I am lost. That is how I look at it - keep going, keep going come what may.
Vincent Van Gogh