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I have a huge relationship with Brazil it's almost a love affair, I would say. And to me, to introduce that specific martial art like capoeira in Hollywood movies was something important to me.

Vincent Cassel

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Vincent Cassel
Age: 58
Born: 1966
Born: November 23
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Paris
France
Vincent Crochon
Like
Relationship
Brazil
Huge
Martial
Almost
Introduce
Art
Introducing
Important
Specific
Something
Affair
Would
Hollywood
Love
Movies

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I worked with young directors all my life, only young directors.
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You usually never know what you're going to do when you're making a movie.
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I'm producing more, but I think to direct, one has to have a burning desire, and that's not me. I'd rather do something else.
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I grew up watching 'Raging Bull.
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I really enjoy being an actor!
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I have a tendency to think that that stereotype of American movies and Hollywood movies doesn't exist. Of course you have the studios that have a very hard policy upon their artists, but then I haven't really been doing any real Hollywood movie yet.
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They say the day you lose your parents, you start to look like them.
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I come from an acting family, my father was an actor, and I had to fight my way and just create my own identity.
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To work with somebody you love makes filming faster, more fun.
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When you have a bunch of scripts that you have to read, the less you have, the better it is, because otherwise, everything is already planned and I think that's a terrible feeling.
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I wear a lot of wigs as Jacques Mesrine. He'd wear multiple wigs and take them off one at a time to rob three banks in one hour.
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I always had the sense of being in the spotlight, being on stage, being looked at.
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You can't escape from what you are.
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I was thinking of going to London drama schools or to New York, because France didn't accommodate the things I wanted to do in film.
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To me, Sheitan movie is the answer to all the problems we have in France concerning immigration. That is a fake problem people can actually work together and do something very interesting out of it.
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Blood, especially fake, and guns, this is bullshit. It works in the movie, but on set it doesn't work for me.
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I liked the idea of working with Jean Reno and Mathieu Kassovitz there was something logical for me. I thought it was a good thing to do. Actually, The Crimson Rivers movie was a big success, and it was one of the biggest successes I ever had in France.
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I've always loved the idea of changing myself, wearing costumes and disguises. It takes you back to being a kid, to dressing up.
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I think I'm actually more vulnerable than people imagine.
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I really like romantic comedies and light movies and everything but I think - I don't know where it comes from - but when you're doing violent movies, you're closer to reality.
Vincent Cassel