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If Clark Gable had a Facebook page, there would have been a Gone with the Wind 2.

Vin Diesel

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Vin Diesel
Age: 57
Born: 1967
Born: July 18
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Stunt Performer
Voice Actor
Alameda County
California
Mark Sinclair Vincent
Mark Sinclair
Would
Gable
Diesel
Clark
Page
Pages
Wind
Gone

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Riddick is an antihero. He's the quintessential antihero. We all know how much I love antiheroes. It takes you 45 minutes in the movie just for Riddick to understand the word heroism, let alone for anyone to hope that he can be heroic.
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The most important thing in life will always be family. The people right here, right now.
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I'm not disciplined enough to be a writer consistently. I write when I have to.
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I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.
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We all deal with being unfairly judged.
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I believe in paying special attention to every project that you do and supporting the projects you do.
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My mother gave me this book called Feature Films at Used Car Prices by a guy named Rick Schmidt. I gotta credit the guy, cuz he gave me the most practical advice. It empowers you.
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Most of my confidence came from being with ladies, because I certainly wasn't getting any acting jobs.
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It's very rewarding to see the movie, and it's very rewarding to make the movie, but playing the character [Riddick] is sometimes a lot more difficult than other characters because it takes so much preparation to get into that character.
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The idea of exploring character relations and their development over a decade has to be appealing for any actor who cherishes his craft.
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I live my life a quarter mile at a time. Nothing else matters: not the mortgage, not the store, not my team and all their bullshit. For those ten seconds or less, I'm free.
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I started acting when I was seven-years-old. By the time I was 17 I would say: If I'm not a star by the time I'm 18, I'll get out of the business.
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You get a timeless cool card in New York.
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I have dangerous bones in my body.
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I grew up the son of an acting teacher but I've never been really good at articulating what that process is. It was always a bit more internal.
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Show me how you drive and I'll show you who you are.
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The films that I do are deep, introspective, brooding roles that you're in this heavy headspace all the time.
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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Of course, I don't act in an extreme fashion in my day to day life. I don't think any of us live do. I think we all have that reserve somewhere and we pull upon it when we need it.
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We've come a long way, from where we've been. I'll tell you all about it when I see you again.
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