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When I first did 'The Fast and the Furious', I didn't want there to be a sequel on the first one. I thought, 'Why would you rush to do a sequel - just because your first film is successful?'

Vin Diesel

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Vin Diesel
Age: 57
Born: 1967
Born: July 18
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Stunt Performer
Voice Actor
Alameda County
California
Mark Sinclair Vincent
Mark Sinclair
Didn
Film
Diesel
Thought
Sequel
Firsts
Sequels
First
Furious
Would
Rush
Fast
Successful

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It's insecurity that is always chasing you and standing in the way of your dreams.
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When I got on the set of 'Saving Private Ryan,' I discovered, to my amazement, that Steven Spielberg is a gamer.
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I'm not really afraid of the dark, except if I'm walking. The thing that scares me the most is the possibility of walking into a wall and busting my lip.
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I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.
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It would be flattering to call it a modern Dirty Harry, but I think this film deals more with the loss of his wife than the traditional revenge vigilante films.
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When you go to the movies with your whole family, it's a different experience. For some reason, it's something that you're all doing together and you take away something special in that.
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They say the open road helps you think. About where you've been and where you're going.
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Choosing the car you drive is like choosing your wardrobe, maybe even more important.
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I am definitely a person of color.
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If you take my performance or my understanding of the role and my appreciation for story and then dress it in CGI, that I guess becomes an action film.
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I'm not disciplined enough to be a writer consistently. I write when I have to.
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I'm a boy who appreciates a good body, regardless of the make.
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You get a timeless cool card in New York.
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The majority of the filmmaking process is in pre-production. The more you've planned out the more freedom there is on set to find new stuff, to play around, find new jokes and let the actors kind of breathe - but it needs to come from a place where it's completely structured.
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I don't think a lot of actors talk about it, but there's usually a process where you essentially purge yourself of the character that you played prior to the movie.
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If you're the type of person who has to fulfill your dreams, you've gotta be resourceful to make sure you can do it. I came out to California when I was 21, thinking my New York credentials would take me all the way. I came back home a year later all dejected and a failure.
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Riddick is an antihero. He's the quintessential antihero. We all know how much I love antiheroes. It takes you 45 minutes in the movie just for Riddick to understand the word heroism, let alone for anyone to hope that he can be heroic.
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It's like you have a child and you think, 'Everything that I've done up until this point is insignificant in comparison to being a father.' It's a beautiful, beautiful thing.
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Hollywood is more concerned about its male actors being in shape than its female actors.
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If you believe in the project, you have to support it.
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