Quote

Hayden [Sterling] told me that he was thrilled about the way he moved around the set, that wherever he would go, there would be lighting. He didn't think about his marks because they were set in the only places he could move.

Vilmos Zsigmond

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Vilmos Zsigmond
Age: 85 †
Born: 1930
Born: June 16
Died: 2016
Died: January 1
Cinematographer
Film Producer
Segedo
Would
Moved
Think
Places
Hayden
Thinking
Move
Sterling
Told
Thrilled
Moving
Lighting
Didn
Marks
Around
Wherever
Way
Mark

More quotes by Vilmos Zsigmond

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Mexican cinematographers Gabriel Figueroa and Emilio Fernandez were students of both Sergei Eisenstein and Toland. Their exteriors and lighting were gorgeous. And the films Ingmar Bergman did with Sven Nykvist were exceptional.
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I don't like to be in front of the camera - my place is behind the camera.
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If you do not bother to take the time to compose and to light properly, then you end up with something almost less than reality. You end up without the soul, the heart, the art of the moment.
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Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie.
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When I was in Hungary in December I was looking at student films and I could not tell which ones were shot on film and which ones were shot digitally. I think that is because the filmmakers in Europe go to four years of film school and learn the techniques.
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I had never met Woody Allen before Melinda and Melinda. My agent knew the producer of the movie and he suggested that we would work well together and then we did. We had a great time on that film.
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When I do a still picture, I'm doing it all by myself with no help. I'm designing everything. I am my own art director. I'm doing everything. I'm directing, editing, whatever.
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I love the Dutch impressionists - Vermeer, Rembrandt. What they were able to do with light was astonishing. As for photographers, I think mostly of the Hungarians: Robert Capa, Laszlo Moholy-Nagy, Jozsef Pesci. In fact, I have one of his photographs hanging in my house.
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I love to make movies about young people - young scientists that are inventing things and all the writing they did was very funny and very true.
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I don't know the American photographers as well, but I admit I love Ansel Adams. His landscapes are so crisp.
Vilmos Zsigmond
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I am actually retired - yes, I am retired. But I like to work. So I'm retired until someone calls me up to work.
Vilmos Zsigmond
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I think that the audience should not be able to tell if it is real or not real - it should be an enhanced version of reality, or an artistic view of reality, that captures not only what is physically there, but what is not visible - the mood.
Vilmos Zsigmond
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I don't think there is any advantage to digital unless it's in a case like Slumdog Millionaire, where you have to get a shot and a big bulky film camera is out of the question.
Vilmos Zsigmond
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Some movies are what I would call murky. Just because it's murky doesn't make it artistic. It makes it hard to see.
Vilmos Zsigmond
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I'm always looking for directors who are very strong, they have great ideas, but on the other hand, that need help. It means they rely mostly on my eyes.
Vilmos Zsigmond
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If you use hand-held techniques just to make the film stylish I think it's wrong.
Vilmos Zsigmond
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You can't just stick with what you know, you have to evolve.
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I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems.
Vilmos Zsigmond
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In fact, I probably learned more about photography from studying black-and-white photography in those magazines [Look Magazine and LIFE Magazine] than I did from watching movies here. That's the truth.
Vilmos Zsigmond
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I like to say that lighting is about taking the light away. I often like to use the shadows more than the light.
Vilmos Zsigmond