Quote

I love Woody Allen. He's very clever, always thinking, and he's great with actors. He lets actors do what they want to do and occasionally he'll give them a specific kind of direction.

Vilmos Zsigmond

Change background

T
T
T

Change font

TAGS & TOPICS

Vilmos Zsigmond
Age: 85 †
Born: 1930
Born: June 16
Died: 2016
Died: January 1
Cinematographer
Film Producer
Segedo
Kind
Occasionally
Always
Specific
Love
Clever
Thinking
Direction
Actors
Give
Allen
Giving
Woody
Great
Lets

More quotes by Vilmos Zsigmond

Image
I was really fortunate from the time I arrived in Hollywood to work with some of the greatest directors from the beginning. I worked with Robert Altman, John Boorman, and of course Steven Spielberg, Michael Cimino, Brian De Palma ... I couldn't pick one of them they were all different, but they are all so talented.
Vilmos Zsigmond
Image
As the cinematographer is usually more visual than the director is and full cooperation is really the answer and to make a great film, you need a good director and you need a good cinematographer.
Vilmos Zsigmond
Image
In Slumdog Millionaire when you are immersed in the point of view of children in the slum and the bustle of the city, the handheld camerawork is amazing. A handheld camera is perfect for establishing point-of-view and for instilling the feeling that you are there.
Vilmos Zsigmond
Image
When I first came to America there still was Look Magazine and LIFE Magazine, and the photography in those magazines was amazing to look at. They had the best portraits, and their news photography.
Vilmos Zsigmond
Image
I think that the audience should not be able to tell if it is real or not real - it should be an enhanced version of reality, or an artistic view of reality, that captures not only what is physically there, but what is not visible - the mood.
Vilmos Zsigmond
Image
I had never met Woody Allen before Melinda and Melinda. My agent knew the producer of the movie and he suggested that we would work well together and then we did. We had a great time on that film.
Vilmos Zsigmond
Image
It's all about special effects and explosions now. It leaves me just cold when I walk out of the theater. There's no heart there's no soul. Movies used to be about people. It's as though we don't tell stories any more. The studios have to make money, and if you want to make $20 million, you have to spend $200 million.
Vilmos Zsigmond
Image
I love to make movies about young people - young scientists that are inventing things and all the writing they did was very funny and very true.
Vilmos Zsigmond
Image
I'm always looking in the lighting to tell the story in a different way than it actually looks in real life because it's, for me, more contrast sometimes has to mean it's softer than normal.
Vilmos Zsigmond
Image
I look at a picture like Scarecrow and think, 'Jesus, how could they have let us make that?' I mean, if you used technology that old nowadays, it would look like old Hollywood.
Vilmos Zsigmond
Image
I love the Dutch impressionists - Vermeer, Rembrandt. What they were able to do with light was astonishing. As for photographers, I think mostly of the Hungarians: Robert Capa, Laszlo Moholy-Nagy, Jozsef Pesci. In fact, I have one of his photographs hanging in my house.
Vilmos Zsigmond
Image
Mexican cinematographers Gabriel Figueroa and Emilio Fernandez were students of both Sergei Eisenstein and Toland. Their exteriors and lighting were gorgeous. And the films Ingmar Bergman did with Sven Nykvist were exceptional.
Vilmos Zsigmond
Image
There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie.
Vilmos Zsigmond
Image
Technology has a great deal to do with it. The Panaflex camera was a big breakthrough when it came along it changed everything, because now you could shoot from the perspective of a person riding in the backseat of a car.
Vilmos Zsigmond
Image
The studios are never going to make $200 million a picture with those types of movies. It's not familiar to them, and it's not a model that can necessarily be sustained. Now, if they go back to making movies about people ... well, I hope they do that.
Vilmos Zsigmond
Image
I'm always looking for directors who are very strong, they have great ideas, but on the other hand, that need help. It means they rely mostly on my eyes.
Vilmos Zsigmond
Image
I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems.
Vilmos Zsigmond
Image
The best way to know when there's good lighting is when you don't notice it.
Vilmos Zsigmond
Image
I like the film camera better because the film is still one hundred times better than any digital image at the moment. So, there are certain movies that you can't really do digitally.
Vilmos Zsigmond
Image
In fact, I probably learned more about photography from studying black-and-white photography in those magazines [Look Magazine and LIFE Magazine] than I did from watching movies here. That's the truth.
Vilmos Zsigmond