Quote

When I first came to America there still was Look Magazine and LIFE Magazine, and the photography in those magazines was amazing to look at. They had the best portraits, and their news photography.

Vilmos Zsigmond

Change background

T
T
T

Change font

TAGS & TOPICS

Vilmos Zsigmond
Age: 85 †
Born: 1930
Born: June 16
Died: 2016
Died: January 1
Cinematographer
Film Producer
Segedo
Looks
News
First
Came
Life
Stills
America
Portraits
Still
Magazine
Best
Magazines
Look
Amazing
Firsts
Photography

More quotes by Vilmos Zsigmond

Image
I love Woody Allen. He's very clever, always thinking, and he's great with actors. He lets actors do what they want to do and occasionally he'll give them a specific kind of direction.
Vilmos Zsigmond
Image
There is a difference between creating something and just capturing something. And when we were using film, it was not that fast, and it was expensive, so there was incentive to make sure the shot was exactly right before we rolled. With digital, it's fast and its cheap, and it's easy to bypass the rest.
Vilmos Zsigmond
Image
I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems.
Vilmos Zsigmond
Image
Spielberg was very young and starting up when we did Sugarland Express and I loved that, but the main thing was that I really loved his talent.
Vilmos Zsigmond
Image
I think too many film students in America are losing the artistry and not learning lighting the right way.
Vilmos Zsigmond
Image
As an actor, Sean [Penn] is brilliant. And he's really an excellent director, as well. We got along really well.
Vilmos Zsigmond
Image
You always like to be the collaborator. I don't want to take over the movie, because if I want to do that, I should really become a director because then you have the control of everything, basically. I'm very happy to just be the visual part of it, doing the visual part of the movie.
Vilmos Zsigmond
Image
I like the film camera better because the film is still one hundred times better than any digital image at the moment. So, there are certain movies that you can't really do digitally.
Vilmos Zsigmond
Image
I don't know the American photographers as well, but I admit I love Ansel Adams. His landscapes are so crisp.
Vilmos Zsigmond
Image
Mexican cinematographers Gabriel Figueroa and Emilio Fernandez were students of both Sergei Eisenstein and Toland. Their exteriors and lighting were gorgeous. And the films Ingmar Bergman did with Sven Nykvist were exceptional.
Vilmos Zsigmond
Image
There is something more to reality than just the tangible. There is also mood, and you cannot skip that.
Vilmos Zsigmond
Image
When we came to America, the movies here needed a new wave. European films looked totally different than American movies, which were these lush, glossy pictures with this elaborate production design.
Vilmos Zsigmond
Image
Sometimes the shots serve as homages to other movies and other directors, like Hitchcock.
Vilmos Zsigmond
Image
I always try to tell the story the best possible way. I create the mood for each scene in a way that the audience feels that they are right there with me and they feel actually in the mood that was right for the scene.
Vilmos Zsigmond
Image
I am not against digital at all.
Vilmos Zsigmond
Image
The studios are never going to make $200 million a picture with those types of movies. It's not familiar to them, and it's not a model that can necessarily be sustained. Now, if they go back to making movies about people ... well, I hope they do that.
Vilmos Zsigmond
Image
Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things around, play with lighting, things like that. He'll even spend hours on the set-up for an insert shot. He's an interested person who gets involved in all the aspects of the films he is making.
Vilmos Zsigmond
Image
I'm always looking in the lighting to tell the story in a different way than it actually looks in real life because it's, for me, more contrast sometimes has to mean it's softer than normal.
Vilmos Zsigmond
Image
I should mention Vittorio Storaro, who was Bernardo Bertolucci's cinematographer. You watch those films and they are exceptional.
Vilmos Zsigmond
Image
If you use hand-held techniques just to make the film stylish I think it's wrong.
Vilmos Zsigmond