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Each story has a different approach for me and I try to work with lighting that will tell you visually the story better than if it was shot in available light.
Vilmos Zsigmond
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Vilmos Zsigmond
Age: 85 †
Born: 1930
Born: June 16
Died: 2016
Died: January 1
Cinematographer
Film Producer
Segedo
Work
Approach
Story
Tell
Stories
Visually
Light
Lighting
Better
Shot
Different
Shots
Trying
Available
More quotes by Vilmos Zsigmond
When we came to America, the movies here needed a new wave. European films looked totally different than American movies, which were these lush, glossy pictures with this elaborate production design.
Vilmos Zsigmond
I don't like to be in front of the camera - my place is behind the camera.
Vilmos Zsigmond
The best way to know when there's good lighting is when you don't notice it.
Vilmos Zsigmond
I love to make movies about young people - young scientists that are inventing things and all the writing they did was very funny and very true.
Vilmos Zsigmond
When I was in Hungary in December I was looking at student films and I could not tell which ones were shot on film and which ones were shot digitally. I think that is because the filmmakers in Europe go to four years of film school and learn the techniques.
Vilmos Zsigmond
I'm always looking for directors who are very strong, they have great ideas, but on the other hand, that need help. It means they rely mostly on my eyes.
Vilmos Zsigmond
I like to say that lighting is about taking the light away. I often like to use the shadows more than the light.
Vilmos Zsigmond
When you are shooting a movie, you have to collaborate with many, many, many people. First of all, the director with all his own ideas and I can only just help him with that. I cannot change his idea.
Vilmos Zsigmond
I am actually retired - yes, I am retired. But I like to work. So I'm retired until someone calls me up to work.
Vilmos Zsigmond
I like the film camera better because the film is still one hundred times better than any digital image at the moment. So, there are certain movies that you can't really do digitally.
Vilmos Zsigmond
I had never met Woody Allen before Melinda and Melinda. My agent knew the producer of the movie and he suggested that we would work well together and then we did. We had a great time on that film.
Vilmos Zsigmond
I hope that film is going to stay as an artform and that people won't forget that there are good movies also to be made.
Vilmos Zsigmond
You make a film for a million dollars and then it costs $10 million to sell it. That's the problem at the moment with independent filmmaking: You can make it cheap and then there's no money to market it.
Vilmos Zsigmond
I think that film is still an artform and it doesn't really matter if you're using a digital camera or a film camera.
Vilmos Zsigmond
I don't know the American photographers as well, but I admit I love Ansel Adams. His landscapes are so crisp.
Vilmos Zsigmond
When I first came to America there still was Look Magazine and LIFE Magazine, and the photography in those magazines was amazing to look at. They had the best portraits, and their news photography.
Vilmos Zsigmond
There is a difference between creating something and just capturing something. And when we were using film, it was not that fast, and it was expensive, so there was incentive to make sure the shot was exactly right before we rolled. With digital, it's fast and its cheap, and it's easy to bypass the rest.
Vilmos Zsigmond
Kubrick was one of those directors who actually did practically everything in his movies. He actually directed, photographed, wrote, lit, edited - everything. A few people can be like that.
Vilmos Zsigmond
Even in manipulating the images, I would like to do my dailies in a digital way because you can do so many things in that stage that I cannot do in real photography.
Vilmos Zsigmond
There is something more to reality than just the tangible. There is also mood, and you cannot skip that.
Vilmos Zsigmond