Quote

I like to say that lighting is about taking the light away. I often like to use the shadows more than the light.

Vilmos Zsigmond

Change background

T
T
T

Change font

TAGS & TOPICS

Vilmos Zsigmond
Age: 85 †
Born: 1930
Born: June 16
Died: 2016
Died: January 1
Cinematographer
Film Producer
Segedo
Light
Shadows
Like
Cinema
Shadow
Taking
Dark
Use
Cameraman
Often
Cinematography
Away
Lighting

More quotes by Vilmos Zsigmond

Image
I don't like to be in front of the camera - my place is behind the camera.
Vilmos Zsigmond
Image
I love to make movies about young people - young scientists that are inventing things and all the writing they did was very funny and very true.
Vilmos Zsigmond
Image
There is something more to reality than just the tangible. There is also mood, and you cannot skip that.
Vilmos Zsigmond
Image
I hope that film is going to stay as an artform and that people won't forget that there are good movies also to be made.
Vilmos Zsigmond
Image
I was really fortunate from the time I arrived in Hollywood to work with some of the greatest directors from the beginning. I worked with Robert Altman, John Boorman, and of course Steven Spielberg, Michael Cimino, Brian De Palma ... I couldn't pick one of them they were all different, but they are all so talented.
Vilmos Zsigmond
Image
In a period piece, particularly a fantasy, the lighting is your own choice, the lenses are your own choice. It's really a great thing for a cinematographer to do. Everything is open for you. You can even be more creative and you can use more shadows than usual.
Vilmos Zsigmond
Image
I don't know the American photographers as well, but I admit I love Ansel Adams. His landscapes are so crisp.
Vilmos Zsigmond
Image
In fact, I probably learned more about photography from studying black-and-white photography in those magazines [Look Magazine and LIFE Magazine] than I did from watching movies here. That's the truth.
Vilmos Zsigmond
Image
I think that film is still an artform and it doesn't really matter if you're using a digital camera or a film camera.
Vilmos Zsigmond
Image
The best way to know when there's good lighting is when you don't notice it.
Vilmos Zsigmond
Image
I'm always looking for directors who are very strong, they have great ideas, but on the other hand, that need help. It means they rely mostly on my eyes.
Vilmos Zsigmond
Image
When we came to America, the movies here needed a new wave. European films looked totally different than American movies, which were these lush, glossy pictures with this elaborate production design.
Vilmos Zsigmond
Image
I like the film camera better because the film is still one hundred times better than any digital image at the moment. So, there are certain movies that you can't really do digitally.
Vilmos Zsigmond
Image
Technology has a great deal to do with it. The Panaflex camera was a big breakthrough when it came along it changed everything, because now you could shoot from the perspective of a person riding in the backseat of a car.
Vilmos Zsigmond
Image
When I was in Hungary in December I was looking at student films and I could not tell which ones were shot on film and which ones were shot digitally. I think that is because the filmmakers in Europe go to four years of film school and learn the techniques.
Vilmos Zsigmond
Image
For me, movies should be visual. If you want dialogue, you should read a book.
Vilmos Zsigmond
Image
Hayden [Sterling] told me that he was thrilled about the way he moved around the set, that wherever he would go, there would be lighting. He didn't think about his marks because they were set in the only places he could move.
Vilmos Zsigmond
Image
You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it.
Vilmos Zsigmond
Image
You always like to be the collaborator. I don't want to take over the movie, because if I want to do that, I should really become a director because then you have the control of everything, basically. I'm very happy to just be the visual part of it, doing the visual part of the movie.
Vilmos Zsigmond
Image
Each story has a different approach for me and I try to work with lighting that will tell you visually the story better than if it was shot in available light.
Vilmos Zsigmond