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Spielberg was very young and starting up when we did Sugarland Express and I loved that, but the main thing was that I really loved his talent.

Vilmos Zsigmond

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Vilmos Zsigmond
Age: 85 †
Born: 1930
Born: June 16
Died: 2016
Died: January 1
Cinematographer
Film Producer
Segedo
Starting
Talent
Loved
Young
Thing
Really
Spielberg
Main
Express

More quotes by Vilmos Zsigmond

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I'm always looking for directors who are very strong, they have great ideas, but on the other hand, that need help. It means they rely mostly on my eyes.
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I don't know the American photographers as well, but I admit I love Ansel Adams. His landscapes are so crisp.
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There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie.
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You make a film for a million dollars and then it costs $10 million to sell it. That's the problem at the moment with independent filmmaking: You can make it cheap and then there's no money to market it.
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In Slumdog Millionaire when you are immersed in the point of view of children in the slum and the bustle of the city, the handheld camerawork is amazing. A handheld camera is perfect for establishing point-of-view and for instilling the feeling that you are there.
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If you use hand-held techniques just to make the film stylish I think it's wrong.
Vilmos Zsigmond
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When I do a still picture, I'm doing it all by myself with no help. I'm designing everything. I am my own art director. I'm doing everything. I'm directing, editing, whatever.
Vilmos Zsigmond
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Technology has a great deal to do with it. The Panaflex camera was a big breakthrough when it came along it changed everything, because now you could shoot from the perspective of a person riding in the backseat of a car.
Vilmos Zsigmond
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Some movies are what I would call murky. Just because it's murky doesn't make it artistic. It makes it hard to see.
Vilmos Zsigmond
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I think that film is still an artform and it doesn't really matter if you're using a digital camera or a film camera.
Vilmos Zsigmond
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Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things around, play with lighting, things like that. He'll even spend hours on the set-up for an insert shot. He's an interested person who gets involved in all the aspects of the films he is making.
Vilmos Zsigmond
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A good [film] director is talented, imaginative, and does his homework.
Vilmos Zsigmond
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I don't think there is any advantage to digital unless it's in a case like Slumdog Millionaire, where you have to get a shot and a big bulky film camera is out of the question.
Vilmos Zsigmond
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In fact, I probably learned more about photography from studying black-and-white photography in those magazines [Look Magazine and LIFE Magazine] than I did from watching movies here. That's the truth.
Vilmos Zsigmond
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There is something more to reality than just the tangible. There is also mood, and you cannot skip that.
Vilmos Zsigmond
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There are, of course, many, many, many good cinematographers and unfortunately they don't work as much as many of those people who do those crazy, stupid movies.
Vilmos Zsigmond
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I like to say that lighting is about taking the light away. I often like to use the shadows more than the light.
Vilmos Zsigmond
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With television, it's difficult to do some things. You have to shoot so many minutes a day, so you always have to be prepared or you won't be able to complete the number of pages that you have scheduled for that day.
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Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie.
Vilmos Zsigmond
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Hayden [Sterling] told me that he was thrilled about the way he moved around the set, that wherever he would go, there would be lighting. He didn't think about his marks because they were set in the only places he could move.
Vilmos Zsigmond