Quote

I love to make movies about young people - young scientists that are inventing things and all the writing they did was very funny and very true.

Vilmos Zsigmond

Change background

T
T
T

Change font

TAGS & TOPICS

Vilmos Zsigmond
Age: 85 †
Born: 1930
Born: June 16
Died: 2016
Died: January 1
Cinematographer
Film Producer
Segedo
Funny
True
Young
Writing
Make
Inventing
Things
Scientists
Love
Scientist
People
Movies

More quotes by Vilmos Zsigmond

Image
Spielberg was very young and starting up when we did Sugarland Express and I loved that, but the main thing was that I really loved his talent.
Vilmos Zsigmond
Image
Some movies are what I would call murky. Just because it's murky doesn't make it artistic. It makes it hard to see.
Vilmos Zsigmond
Image
I am not against digital at all.
Vilmos Zsigmond
Image
I always try to tell the story the best possible way. I create the mood for each scene in a way that the audience feels that they are right there with me and they feel actually in the mood that was right for the scene.
Vilmos Zsigmond
Image
You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it.
Vilmos Zsigmond
Image
Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things around, play with lighting, things like that. He'll even spend hours on the set-up for an insert shot. He's an interested person who gets involved in all the aspects of the films he is making.
Vilmos Zsigmond
Image
I don't like to be in front of the camera - my place is behind the camera.
Vilmos Zsigmond
Image
You can't just stick with what you know, you have to evolve.
Vilmos Zsigmond
Image
There is something more to reality than just the tangible. There is also mood, and you cannot skip that.
Vilmos Zsigmond
Image
You always like to be the collaborator. I don't want to take over the movie, because if I want to do that, I should really become a director because then you have the control of everything, basically. I'm very happy to just be the visual part of it, doing the visual part of the movie.
Vilmos Zsigmond
Image
When I first came to America there still was Look Magazine and LIFE Magazine, and the photography in those magazines was amazing to look at. They had the best portraits, and their news photography.
Vilmos Zsigmond
Image
I look at a picture like Scarecrow and think, 'Jesus, how could they have let us make that?' I mean, if you used technology that old nowadays, it would look like old Hollywood.
Vilmos Zsigmond
Image
I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems.
Vilmos Zsigmond
Image
I don't think there is any advantage to digital unless it's in a case like Slumdog Millionaire, where you have to get a shot and a big bulky film camera is out of the question.
Vilmos Zsigmond
Image
Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie.
Vilmos Zsigmond
Image
I think that the audience should not be able to tell if it is real or not real - it should be an enhanced version of reality, or an artistic view of reality, that captures not only what is physically there, but what is not visible - the mood.
Vilmos Zsigmond
Image
These days that wouldn't happen - waiting for the light to be exactly right. Because it takes time and time is money. And with these big productions with expensive actors, you just don't have the time to get every shot exactly right.
Vilmos Zsigmond
Image
The studios are never going to make $200 million a picture with those types of movies. It's not familiar to them, and it's not a model that can necessarily be sustained. Now, if they go back to making movies about people ... well, I hope they do that.
Vilmos Zsigmond
Image
There is something missing in a lot of digital filmmaking, something I call poetic reality. That's something you see played out in film noir, where the technique establishes the mood.
Vilmos Zsigmond
Image
If you use hand-held techniques just to make the film stylish I think it's wrong.
Vilmos Zsigmond