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I always try to tell the story the best possible way. I create the mood for each scene in a way that the audience feels that they are right there with me and they feel actually in the mood that was right for the scene.

Vilmos Zsigmond

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Vilmos Zsigmond
Age: 85 †
Born: 1930
Born: June 16
Died: 2016
Died: January 1
Cinematographer
Film Producer
Segedo
Feel
Possible
Feels
Audience
Trying
Story
Way
Actually
Always
Tell
Stories
Mood
Best
Scene
Right
Create

More quotes by Vilmos Zsigmond

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I am not against digital at all.
Vilmos Zsigmond
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A good [film] director is talented, imaginative, and does his homework.
Vilmos Zsigmond
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I like to say that lighting is about taking the light away. I often like to use the shadows more than the light.
Vilmos Zsigmond
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If you use hand-held techniques just to make the film stylish I think it's wrong.
Vilmos Zsigmond
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There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie.
Vilmos Zsigmond
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There are a lot of directors out there that don't like to deal with actors, I think. Many of them have said something like, in the future they will actually manipulate the actors on their computers. But don't believe all this.
Vilmos Zsigmond
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You can't just stick with what you know, you have to evolve.
Vilmos Zsigmond
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There is something missing in a lot of digital filmmaking, something I call poetic reality. That's something you see played out in film noir, where the technique establishes the mood.
Vilmos Zsigmond
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I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors. That doesn't mean I don't like to work with starting up young directors, that's fun also.
Vilmos Zsigmond
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I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems.
Vilmos Zsigmond
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Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie.
Vilmos Zsigmond
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I should mention Vittorio Storaro, who was Bernardo Bertolucci's cinematographer. You watch those films and they are exceptional.
Vilmos Zsigmond
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I think that the audience should not be able to tell if it is real or not real - it should be an enhanced version of reality, or an artistic view of reality, that captures not only what is physically there, but what is not visible - the mood.
Vilmos Zsigmond
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If you do not bother to take the time to compose and to light properly, then you end up with something almost less than reality. You end up without the soul, the heart, the art of the moment.
Vilmos Zsigmond
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I hope that film is going to stay as an artform and that people won't forget that there are good movies also to be made.
Vilmos Zsigmond
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You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it.
Vilmos Zsigmond
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I had never met Woody Allen before Melinda and Melinda. My agent knew the producer of the movie and he suggested that we would work well together and then we did. We had a great time on that film.
Vilmos Zsigmond
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Hayden [Sterling] told me that he was thrilled about the way he moved around the set, that wherever he would go, there would be lighting. He didn't think about his marks because they were set in the only places he could move.
Vilmos Zsigmond
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Technology has a great deal to do with it. The Panaflex camera was a big breakthrough when it came along it changed everything, because now you could shoot from the perspective of a person riding in the backseat of a car.
Vilmos Zsigmond
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I really like to work with people who know a lot, but they also give me space so I can add something to the movie.
Vilmos Zsigmond