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There are a lot of directors out there that don't like to deal with actors, I think. Many of them have said something like, in the future they will actually manipulate the actors on their computers. But don't believe all this.
Vilmos Zsigmond
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Vilmos Zsigmond
Age: 85 †
Born: 1930
Born: June 16
Died: 2016
Died: January 1
Cinematographer
Film Producer
Segedo
Think
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Thinking
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Computers
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Directors
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More quotes by Vilmos Zsigmond
I hope that film is going to stay as an artform and that people won't forget that there are good movies also to be made.
Vilmos Zsigmond
I am actually retired - yes, I am retired. But I like to work. So I'm retired until someone calls me up to work.
Vilmos Zsigmond
As the cinematographer is usually more visual than the director is and full cooperation is really the answer and to make a great film, you need a good director and you need a good cinematographer.
Vilmos Zsigmond
What I would suggest to the young people is to not forget this and don't try to get assimilated into today's Hollywood style of movies because I don't think it's going to last long.
Vilmos Zsigmond
The studios are never going to make $200 million a picture with those types of movies. It's not familiar to them, and it's not a model that can necessarily be sustained. Now, if they go back to making movies about people ... well, I hope they do that.
Vilmos Zsigmond
I look at a picture like Scarecrow and think, 'Jesus, how could they have let us make that?' I mean, if you used technology that old nowadays, it would look like old Hollywood.
Vilmos Zsigmond
When I was in Hungary in December I was looking at student films and I could not tell which ones were shot on film and which ones were shot digitally. I think that is because the filmmakers in Europe go to four years of film school and learn the techniques.
Vilmos Zsigmond
I really like to work with people who know a lot, but they also give me space so I can add something to the movie.
Vilmos Zsigmond
I shot a lot of commercials and sometimes I enjoy the commercial shooting and sometimes I really hate it, but in thirty seconds or one minute, you can make some remarkable work shooting in one or two or three days.
Vilmos Zsigmond
Hayden [Sterling] told me that he was thrilled about the way he moved around the set, that wherever he would go, there would be lighting. He didn't think about his marks because they were set in the only places he could move.
Vilmos Zsigmond
I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors. That doesn't mean I don't like to work with starting up young directors, that's fun also.
Vilmos Zsigmond
Kubrick was one of those directors who actually did practically everything in his movies. He actually directed, photographed, wrote, lit, edited - everything. A few people can be like that.
Vilmos Zsigmond
Each story has a different approach for me and I try to work with lighting that will tell you visually the story better than if it was shot in available light.
Vilmos Zsigmond
In Slumdog Millionaire when you are immersed in the point of view of children in the slum and the bustle of the city, the handheld camerawork is amazing. A handheld camera is perfect for establishing point-of-view and for instilling the feeling that you are there.
Vilmos Zsigmond
I'm always looking in the lighting to tell the story in a different way than it actually looks in real life because it's, for me, more contrast sometimes has to mean it's softer than normal.
Vilmos Zsigmond
If you use hand-held techniques just to make the film stylish I think it's wrong.
Vilmos Zsigmond
I like to say that lighting is about taking the light away. I often like to use the shadows more than the light.
Vilmos Zsigmond
Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie.
Vilmos Zsigmond
Some movies are what I would call murky. Just because it's murky doesn't make it artistic. It makes it hard to see.
Vilmos Zsigmond
There are, of course, many, many, many good cinematographers and unfortunately they don't work as much as many of those people who do those crazy, stupid movies.
Vilmos Zsigmond