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Kubrick was one of those directors who actually did practically everything in his movies. He actually directed, photographed, wrote, lit, edited - everything. A few people can be like that.

Vilmos Zsigmond

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Vilmos Zsigmond
Age: 85 †
Born: 1930
Born: June 16
Died: 2016
Died: January 1
Cinematographer
Film Producer
Segedo
Actually
Photographed
Everything
Edited
Like
Lit
People
Practically
Directed
Wrote
Directors
Movies
Kubrick

More quotes by Vilmos Zsigmond

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I shot a lot of commercials and sometimes I enjoy the commercial shooting and sometimes I really hate it, but in thirty seconds or one minute, you can make some remarkable work shooting in one or two or three days.
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For me, movies should be visual. If you want dialogue, you should read a book.
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Sometimes the shots serve as homages to other movies and other directors, like Hitchcock.
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There is something more to reality than just the tangible. There is also mood, and you cannot skip that.
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The studios are never going to make $200 million a picture with those types of movies. It's not familiar to them, and it's not a model that can necessarily be sustained. Now, if they go back to making movies about people ... well, I hope they do that.
Vilmos Zsigmond
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I think too many film students in America are losing the artistry and not learning lighting the right way.
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I am not against digital at all.
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I think that film is still an artform and it doesn't really matter if you're using a digital camera or a film camera.
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There are, of course, many, many, many good cinematographers and unfortunately they don't work as much as many of those people who do those crazy, stupid movies.
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Technology has a great deal to do with it. The Panaflex camera was a big breakthrough when it came along it changed everything, because now you could shoot from the perspective of a person riding in the backseat of a car.
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I love the Dutch impressionists - Vermeer, Rembrandt. What they were able to do with light was astonishing. As for photographers, I think mostly of the Hungarians: Robert Capa, Laszlo Moholy-Nagy, Jozsef Pesci. In fact, I have one of his photographs hanging in my house.
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These days that wouldn't happen - waiting for the light to be exactly right. Because it takes time and time is money. And with these big productions with expensive actors, you just don't have the time to get every shot exactly right.
Vilmos Zsigmond
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I like to say that lighting is about taking the light away. I often like to use the shadows more than the light.
Vilmos Zsigmond
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There is something missing in a lot of digital filmmaking, something I call poetic reality. That's something you see played out in film noir, where the technique establishes the mood.
Vilmos Zsigmond
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Hayden [Sterling] told me that he was thrilled about the way he moved around the set, that wherever he would go, there would be lighting. He didn't think about his marks because they were set in the only places he could move.
Vilmos Zsigmond
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What I would suggest to the young people is to not forget this and don't try to get assimilated into today's Hollywood style of movies because I don't think it's going to last long.
Vilmos Zsigmond
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When I first came to America there still was Look Magazine and LIFE Magazine, and the photography in those magazines was amazing to look at. They had the best portraits, and their news photography.
Vilmos Zsigmond
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When I do a still picture, I'm doing it all by myself with no help. I'm designing everything. I am my own art director. I'm doing everything. I'm directing, editing, whatever.
Vilmos Zsigmond
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There are a lot of directors out there that don't like to deal with actors, I think. Many of them have said something like, in the future they will actually manipulate the actors on their computers. But don't believe all this.
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Spielberg was very young and starting up when we did Sugarland Express and I loved that, but the main thing was that I really loved his talent.
Vilmos Zsigmond