Quote

I don't like to be in front of the camera - my place is behind the camera.

Vilmos Zsigmond

Change background

T
T
T

Change font

TAGS & TOPICS

Vilmos Zsigmond
Age: 85 †
Born: 1930
Born: June 16
Died: 2016
Died: January 1
Cinematographer
Film Producer
Segedo
Cameras
Fronts
Front
Behinds
Behind
Place
Like
Camera

More quotes by Vilmos Zsigmond

Image
Mexican cinematographers Gabriel Figueroa and Emilio Fernandez were students of both Sergei Eisenstein and Toland. Their exteriors and lighting were gorgeous. And the films Ingmar Bergman did with Sven Nykvist were exceptional.
Vilmos Zsigmond
Image
If you use hand-held techniques just to make the film stylish I think it's wrong.
Vilmos Zsigmond
Image
I am not against digital at all.
Vilmos Zsigmond
Image
As an actor, Sean [Penn] is brilliant. And he's really an excellent director, as well. We got along really well.
Vilmos Zsigmond
Image
The studios are never going to make $200 million a picture with those types of movies. It's not familiar to them, and it's not a model that can necessarily be sustained. Now, if they go back to making movies about people ... well, I hope they do that.
Vilmos Zsigmond
Image
Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things around, play with lighting, things like that. He'll even spend hours on the set-up for an insert shot. He's an interested person who gets involved in all the aspects of the films he is making.
Vilmos Zsigmond
Image
Technology has a great deal to do with it. The Panaflex camera was a big breakthrough when it came along it changed everything, because now you could shoot from the perspective of a person riding in the backseat of a car.
Vilmos Zsigmond
Image
You always like to be the collaborator. I don't want to take over the movie, because if I want to do that, I should really become a director because then you have the control of everything, basically. I'm very happy to just be the visual part of it, doing the visual part of the movie.
Vilmos Zsigmond
Image
You make a film for a million dollars and then it costs $10 million to sell it. That's the problem at the moment with independent filmmaking: You can make it cheap and then there's no money to market it.
Vilmos Zsigmond
Image
There is a difference between creating something and just capturing something. And when we were using film, it was not that fast, and it was expensive, so there was incentive to make sure the shot was exactly right before we rolled. With digital, it's fast and its cheap, and it's easy to bypass the rest.
Vilmos Zsigmond
Image
I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors. That doesn't mean I don't like to work with starting up young directors, that's fun also.
Vilmos Zsigmond
Image
I think too many film students in America are losing the artistry and not learning lighting the right way.
Vilmos Zsigmond
Image
I shot a lot of commercials and sometimes I enjoy the commercial shooting and sometimes I really hate it, but in thirty seconds or one minute, you can make some remarkable work shooting in one or two or three days.
Vilmos Zsigmond
Image
A good [film] director is talented, imaginative, and does his homework.
Vilmos Zsigmond
Image
There are, of course, many, many, many good cinematographers and unfortunately they don't work as much as many of those people who do those crazy, stupid movies.
Vilmos Zsigmond
Image
Spielberg was very young and starting up when we did Sugarland Express and I loved that, but the main thing was that I really loved his talent.
Vilmos Zsigmond
Image
What I would suggest to the young people is to not forget this and don't try to get assimilated into today's Hollywood style of movies because I don't think it's going to last long.
Vilmos Zsigmond
Image
In a period piece, particularly a fantasy, the lighting is your own choice, the lenses are your own choice. It's really a great thing for a cinematographer to do. Everything is open for you. You can even be more creative and you can use more shadows than usual.
Vilmos Zsigmond
Image
I had never met Woody Allen before Melinda and Melinda. My agent knew the producer of the movie and he suggested that we would work well together and then we did. We had a great time on that film.
Vilmos Zsigmond
Image
You can't just stick with what you know, you have to evolve.
Vilmos Zsigmond