Quote

As a kid I read Jules Verne, H. G. Wells, and a few others. As an adult have admired Leonardo da Vinci's drawings and notebooks.

Viggo Mortensen

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Viggo Mortensen
Age: 66
Born: 1958
Born: October 20
Actor
Composer
Film Actor
Film Director
Film Producer
Jazz Musician
Manufacturer
Musician
Painter
Photographer
Poet
Singer
Watertown
New York
Viggo Peter Mortensen
Jr
Adult
Verne
Drawing
Jules
Adults
Vinci
Read
Notebooks
Others
Leonardo
Kids
Drawings
Wells
Notebook
Admired

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When there is conflict, it's good to step away, even for five minutes, because you could say terrible things that you can't take back, so it's best to walk away.
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I don't think Adam Sandler or Will Ferrell fear competition from me in their arena.
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Sometimes you look at a movie and you can see that the actor or actress said, 'I'm taking this onboard because I'm making a ton of money, and not because it's going to be something special.'
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To find a good story, you’re generally going to find it in independent or lower budget movies... I wouldn’t mind doing a big budget movie if it had a great story.
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Being an actor, imitating to the point of inhabiting the lives of others, may simply be a way of continuing to do what I learned to do as a boy - to travel, mentally and physically.
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Some people who like dogs don't like cats, but I'm not like that.
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The Road was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.
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When I was a little boy, I rode, but I didn't own horses.
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You know, Freud accepted his lot very stoically and very well and with a sense of humor. He aged and died gracefully, and there's a lot to be said for that.
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I played Lucifer once, which is sort of a difficult character to research. I thought to myself, We all have the potential to be selfish, to be cruel - at least to think evil thoughts, even if we don't ever act out on them. Even if we don't ever think we behave badly, we probably do more than we realize.
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With few exceptions, one ought always do what one is afraid of.
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I know people who prepare their roles in such a way that they technically look ahead and memorize their gestures, and then they stick to it. Those that are technically proficient enough can make it seem natural, but they do that and don't really take in what other people are doing.
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I like the detail work of telling a story in small pieces, as is done in movie-making, and also the long leap of faith needed to see a theatre performance through each night. Both require focus and self-discipline.
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I think, on a surface level, people are surprised to see me playing such a passive role in 'Good.'
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'The Road' is about that fear that all parents can have. What's going to happen to your child if you're not around? It takes those concerns to an extreme. In the film, without me the boy has no food, no shelter, no resources at all.
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Life is short and the older you get, the more you feel it. Indeed, the shorter it is.
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I would literally climb out of the cradle while my parents slept, go and crawl off. I did this a couple of times apparently. I'd cross the road and into someone's house, wake them up banging pots and pans in the kitchen.
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I know I said I wanted to live forever and I would never be bored, but the reality is, it's probably kind of sad to live forever if you're the only one sticking around.
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It's always interesting to play a character that obviously has a secret.
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If you're trying to please everyone, then you're not going to make anything that is honestly yours, I don't think, in the long run.
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