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I was in a Led Zeppelin cover band in high school, and my highlight was playing Misty Mountain Hop at a coffee house in Wayne, Pennsylvania. I wasn't allowed to play any instruments I could only be the singer because I was a girl.

Victoria Legrand

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Victoria Legrand
Age: 43
Born: 1981
Born: May 28
Singer
Singer-Songwriter
Paris
France
Wasn
Cover
Zeppelins
High
Singers
Highlight
Girl
Coffee
Misty
House
Allowed
Highlights
School
Instruments
Pennsylvania
Play
Mountain
Wayne
Band
Hops
Playing
Singer
Zeppelin

More quotes by Victoria Legrand

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As long as artists can make something, artists will continue to survive.
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Obviously, it's great to know that your music is being listened to.
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If a psychiatrist would analyze [the lyrics], I'm sure they'd come up with something interesting. I really don't try to twist them. I don't want to slash things.
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Yeah, it's a lot harder to find a musical partner than a love partner.
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When something goes into the world, you immediately begin to develop another perspective on yourself, another identity.
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I wouldn't mind doing a soundtrack someday.
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My hair is a wild, untamable beast! I like letting it grow my bangs grow whatever way they want and I kind of follow their rule. So side bangs, poof bangs - it's kind of unpredictable.
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The guys in high school were like, You've got a nice voice you should keep singing, but I never honestly thought that one day I'd be a singer. When you're young, you don't see the signs.
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There's something to be said for being classically trained on piano, but not having your whole makeup be tied to one instrument.
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We feel more and more intensely about the music we make. It's unexpected, and not always what you would think of in Beach House. It's all art in the end. We aren't making records because we have to it's because it's what we want to express.
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It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.
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It's always a struggle to make things sound more or less brilliant.
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For me, it's really day to day. I don't really plan ahead and I like to be excited about what I'm wearing. Being on the road all the time, it's various articles of clothing that keep me inspired and feeling good. A fun or beautiful thing to wear can change your day. I think spontaneity and not adhering to any narrow styles keep me happy.
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Sound is a very unruly thing, and you have to really respect that it's going to differ every time you play.
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I like to find the beauty in the ugly. When I'm in a thrift store, I gravitate toward pieces I know I'll wear a ton, and insane pieces that I'm sure most people would consider gross. But I find them inspiring. Our van is currently stocked with some of my random findings from this tour. Maybe I'll call my aesthetic 'van fashion.
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I think sometimes songwriting becomes diluted when you have lots of components to mask a lack of core.
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I really do try to let the identity or voice inside come out.
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I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
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I studied voice and piano as a child, although, at least with voice, you start over at puberty, because your voice completely changes.
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I truly believe that if you think something's stupid, that might mean it's actually good.
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