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I studied voice and piano as a child, although, at least with voice, you start over at puberty, because your voice completely changes.

Victoria Legrand

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Victoria Legrand
Age: 43
Born: 1981
Born: May 28
Singer
Singer-Songwriter
Paris
France
Least
Child
Start
Puberty
Voice
Studied
Children
Piano
Although
Changes
Completely

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Yeah, it's a lot harder to find a musical partner than a love partner.
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When something goes into the world, you immediately begin to develop another perspective on yourself, another identity.
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I think the Yamaha has a giant quality. When you combine the Yamaha with other organs, you get this crazy rectangular sound. It's kind of flat and thick.
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I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
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In general, I think I'm a very private person. But I also love human beings.
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Obviously, it's great to know that your music is being listened to.
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I think the voice is an underrated instrument these days and it's easy to make up for lack of ability with effects. I think sometimes people are more wowed with effects than core craftsmanship. Strong voices are not as common as they used to be.
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I'm a Gemini, so I'm very dual. I love something and I hate it at the same time, so that probably comes out in the lyrics.
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It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.
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We feel more and more intensely about the music we make. It's unexpected, and not always what you would think of in Beach House. It's all art in the end. We aren't making records because we have to it's because it's what we want to express.
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I think sometimes songwriting becomes diluted when you have lots of components to mask a lack of core.
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I like to find the beauty in the ugly. When I'm in a thrift store, I gravitate toward pieces I know I'll wear a ton, and insane pieces that I'm sure most people would consider gross. But I find them inspiring. Our van is currently stocked with some of my random findings from this tour. Maybe I'll call my aesthetic 'van fashion.
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Sound is a very unruly thing, and you have to really respect that it's going to differ every time you play.
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I was in a Led Zeppelin cover band in high school, and my highlight was playing Misty Mountain Hop at a coffee house in Wayne, Pennsylvania. I wasn't allowed to play any instruments I could only be the singer because I was a girl.
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I wouldn't mind doing a soundtrack someday.
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There's something to be said for being classically trained on piano, but not having your whole makeup be tied to one instrument.
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As long as artists can make something, artists will continue to survive.
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It's always a struggle to make things sound more or less brilliant.
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But I love the hot sweat. I think overheating onstage is invigorating. It's better than being comfortable. I think being comfortable is the death of a show.
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With us, people caught on to something on our third album, and that will never be repeated. Basically, I don't really have any complaints about the way that Beach House has grown. I feel like we're still in control of what we're doing, and it's a great time in our existence.
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