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There's something to be said for being classically trained on piano, but not having your whole makeup be tied to one instrument.
Victoria Legrand
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Victoria Legrand
Age: 43
Born: 1981
Born: May 28
Singer
Singer-Songwriter
Paris
France
Piano
Instruments
Whole
Something
Classically
Trained
Tied
Instrument
Makeup
More quotes by Victoria Legrand
With us, people caught on to something on our third album, and that will never be repeated. Basically, I don't really have any complaints about the way that Beach House has grown. I feel like we're still in control of what we're doing, and it's a great time in our existence.
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I studied voice and piano as a child, although, at least with voice, you start over at puberty, because your voice completely changes.
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I wouldn't mind doing a soundtrack someday.
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Obviously, it's great to know that your music is being listened to.
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In general, I think I'm a very private person. But I also love human beings.
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I truly believe that if you think something's stupid, that might mean it's actually good.
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Sometimes people talk about music, whether blogs or magazines, in a strange way where it doesn't seem like they're actually listening to it.
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I like to hear what other people's interpretations are, because people come up with things I'd never thought about.
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I really do try to let the identity or voice inside come out.
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I think sometimes songwriting becomes diluted when you have lots of components to mask a lack of core.
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Sound is a very unruly thing, and you have to really respect that it's going to differ every time you play.
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People who create art would be fools to assume they know exactly what people are going to think of it.
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The guys in high school were like, You've got a nice voice you should keep singing, but I never honestly thought that one day I'd be a singer. When you're young, you don't see the signs.
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As long as artists can make something, artists will continue to survive.
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I like to find the beauty in the ugly. When I'm in a thrift store, I gravitate toward pieces I know I'll wear a ton, and insane pieces that I'm sure most people would consider gross. But I find them inspiring. Our van is currently stocked with some of my random findings from this tour. Maybe I'll call my aesthetic 'van fashion.
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It's always a struggle to make things sound more or less brilliant.
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It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.
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But I love the hot sweat. I think overheating onstage is invigorating. It's better than being comfortable. I think being comfortable is the death of a show.
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I was in a Led Zeppelin cover band in high school, and my highlight was playing Misty Mountain Hop at a coffee house in Wayne, Pennsylvania. I wasn't allowed to play any instruments I could only be the singer because I was a girl.
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I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
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