Quote

I think the Yamaha has a giant quality. When you combine the Yamaha with other organs, you get this crazy rectangular sound. It's kind of flat and thick.

Victoria Legrand

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Victoria Legrand
Age: 43
Born: 1981
Born: May 28
Singer
Singer-Songwriter
Paris
France
Thinking
Organs
Giants
Thick
Rectangular
Crazy
Yamaha
Quality
Combine
Sound
Giant
Kind
Flat
Think
Flats

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I wouldn't mind doing a soundtrack someday.
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But I love the hot sweat. I think overheating onstage is invigorating. It's better than being comfortable. I think being comfortable is the death of a show.
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If a psychiatrist would analyze [the lyrics], I'm sure they'd come up with something interesting. I really don't try to twist them. I don't want to slash things.
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For me, it's really day to day. I don't really plan ahead and I like to be excited about what I'm wearing. Being on the road all the time, it's various articles of clothing that keep me inspired and feeling good. A fun or beautiful thing to wear can change your day. I think spontaneity and not adhering to any narrow styles keep me happy.
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I'm a Gemini, so I'm very dual. I love something and I hate it at the same time, so that probably comes out in the lyrics.
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I like to find the beauty in the ugly. When I'm in a thrift store, I gravitate toward pieces I know I'll wear a ton, and insane pieces that I'm sure most people would consider gross. But I find them inspiring. Our van is currently stocked with some of my random findings from this tour. Maybe I'll call my aesthetic 'van fashion.
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I don't like to read the Internet I'm not aware of what's going on.
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Sometimes people talk about music, whether blogs or magazines, in a strange way where it doesn't seem like they're actually listening to it.
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I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
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Sound is a very unruly thing, and you have to really respect that it's going to differ every time you play.
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It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.
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In general, I think I'm a very private person. But I also love human beings.
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It's always a struggle to make things sound more or less brilliant.
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Yeah, it's a lot harder to find a musical partner than a love partner.
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People who create art would be fools to assume they know exactly what people are going to think of it.
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With us, people caught on to something on our third album, and that will never be repeated. Basically, I don't really have any complaints about the way that Beach House has grown. I feel like we're still in control of what we're doing, and it's a great time in our existence.
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I studied voice and piano as a child, although, at least with voice, you start over at puberty, because your voice completely changes.
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Obviously, it's great to know that your music is being listened to.
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When something goes into the world, you immediately begin to develop another perspective on yourself, another identity.
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I think sometimes songwriting becomes diluted when you have lots of components to mask a lack of core.
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