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I think sometimes songwriting becomes diluted when you have lots of components to mask a lack of core.

Victoria Legrand

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Victoria Legrand
Age: 43
Born: 1981
Born: May 28
Singer
Singer-Songwriter
Paris
France
Lots
Core
Lack
Becomes
Sometimes
Think
Diluted
Thinking
Components
Mask

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As you get older you realise that nothing lasts forever. It's not depressing, but it does make moments more intense.
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I like to hear what other people's interpretations are, because people come up with things I'd never thought about.
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I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
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When something goes into the world, you immediately begin to develop another perspective on yourself, another identity.
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The guys in high school were like, You've got a nice voice you should keep singing, but I never honestly thought that one day I'd be a singer. When you're young, you don't see the signs.
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If a psychiatrist would analyze [the lyrics], I'm sure they'd come up with something interesting. I really don't try to twist them. I don't want to slash things.
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My hair is a wild, untamable beast! I like letting it grow my bangs grow whatever way they want and I kind of follow their rule. So side bangs, poof bangs - it's kind of unpredictable.
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I'm a Gemini, so I'm very dual. I love something and I hate it at the same time, so that probably comes out in the lyrics.
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It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.
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I like to find the beauty in the ugly. When I'm in a thrift store, I gravitate toward pieces I know I'll wear a ton, and insane pieces that I'm sure most people would consider gross. But I find them inspiring. Our van is currently stocked with some of my random findings from this tour. Maybe I'll call my aesthetic 'van fashion.
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Sound is a very unruly thing, and you have to really respect that it's going to differ every time you play.
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As long as artists can make something, artists will continue to survive.
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I really do try to let the identity or voice inside come out.
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Obviously, it's great to know that your music is being listened to.
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It's always a struggle to make things sound more or less brilliant.
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I wouldn't mind doing a soundtrack someday.
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In general, I think I'm a very private person. But I also love human beings.
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I studied voice and piano as a child, although, at least with voice, you start over at puberty, because your voice completely changes.
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We feel more and more intensely about the music we make. It's unexpected, and not always what you would think of in Beach House. It's all art in the end. We aren't making records because we have to it's because it's what we want to express.
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I was in a Led Zeppelin cover band in high school, and my highlight was playing Misty Mountain Hop at a coffee house in Wayne, Pennsylvania. I wasn't allowed to play any instruments I could only be the singer because I was a girl.
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