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Don’t tell me you’re going to eat a mashed-potato sandwich

Veronica Roth

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Veronica Roth
Age: 36
Born: 1988
Born: August 19
Novelist
Science Fiction Writer
Writer
New York City
New York
Veronica Anne Roth
Potatoes
Tell
Going
Mashed
Potato
Sandwich
Sandwiches

More quotes by Veronica Roth

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I glance at Tris. She grins at me, then leans in to whisper something to Christina. Are you here to help or what, Stiff? I say.
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Sometimes, all it takes to save people from a terrible fate is one person willing to do something about it. Even if that something is a fake bathroom break.
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Let the guilt teach you how to behave next time.
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I understand why she did all those things, but that doesn't mean we aren't still broken.
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Why would the factionless have a high Divergent population? It sounds like she's smirking. Obviously those who can't confine themselves to a particular way of thinking would be most likely to leave a faction or fail its initiation, right?
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Be careful, though. Aren't I always? No, I think the word for how you usually are is 'reckless.
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People, even genetically damaged people, make choices. That’s what matters.’
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A breeze blows through the alley, pushing me to one side, and I think of scaling the Ferris wheel with Tobias. He kept me steady then. There is no one left to keep me steady now.
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He kisses me again, more insistent this time, his hands squeezing my waist. His breaths, his body, my body, we are so close there is no difference.
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Well, I already know what happened to my face, I say. I was there. Sort of
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In order to have peace, we must first have trust.
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Pride blinds people to the truth of what they are.
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What's worse: to be idle while someone dies, or to be exiled and empty-handed?
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The Amity Established this place as a safe house. No conflict allowed. The Amity will have trouble enforcing that policy, says Marcus. How do you stop conflict without conflict?
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I feel a thread tugging me again, but this time I know that it isn’t some sinister force dragging me toward death. This time I know it’s my mother's hand, drawing me into her arms. And I go gladly into her embrace.
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But now, I am also learning this: we can be mended. We mend each other.
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How is it I know this little about the boy who says he loves me -- the boy whose real name is powerful enough to keep us alive in a train car full of enemies?
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Resisting is worth doing.
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He turns toward me. I want to touch him, but I’m afraid of his bareness afraid that he will make me bare too. ‘Is this scaring you, Tris?’ ‘No,’ I croak. I clear my throat. ‘Not really. I’m only…afraid of what I want.’ ‘What do you want?’ Then his face tightens. ‘Me?’ Slowly I nod.
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I feel acutely aware of how young I am. In a way that is good. It's productive. It makes me realise that I should be growing as a writer and a person.
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