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My mother was extremely controlled, sort of flawless. And I always tend to be a bit more hippie.

Vera Wang

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Vera Wang
Age: 75
Born: 1949
Born: June 27
Businessperson
Designer
Fashion Designer
Figure Skater
New York City
New York
Vera Ellen Wang
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Mother
Always
Flawless
Hippie
Controlled
Extremely
Tend
Bits

More quotes by Vera Wang

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I work with structure, but I go outside the box and give it my own spin. I adore the challenge of creating truly modern clothes - where a woman's personality and sense of style are realized.
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We got a lot of letters of people who didn't like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation - I never saw that. And I think that sometimes, you have to take a risk.
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Every woman hates her own body. I don't know a woman who doesn't . . . well, I do know a few who love themselves but in the case of most women it's like, ugh. And when I dress a woman, my design intention is to give them an attitude or a grace, no matter whether it's a wedding gown or ready-to-wear.
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My normal routine is pretty much putting out fires all day.
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When brides ask me, What's the best advice you can give me on my wedding day? I always have the same answer: Be yourself. Someone's marrying you, they love you for who you are, and they don't want you to be someone else.
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Fashion to me has become very disposable I wanted to get back to craft, to clothes that could last.
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The intricate engraving, fine lines, beading and milgrain accents echo an era defined by elaborate embellishments.
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My closet is organized by tops, pants, and outerwear, but not a lot of dresses. Gowns are in another room because I don't often dress formally, even though I design gowns. Like most designers, I have a uniform, and mine is a legging.
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Bridal is always about who you are as a person and as a woman and as a lover and as a mate. People always ask me how a woman can pick just one dress. And the funny thing is they always know.
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I was trying to manage school and training for the Olympics and ended up not doing well at either. That was a big lesson in my life. My mother expected both.
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I was an art history major, but never specifically contemporary. I would say where I really stopped were the abstract expressionists in the New York school.
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It's hard to juggle being a businessperson with being a creative person. You have to organize yourself - PR needs me for PR, and the licensing division needs me for licensing, the bridal people need me for bridal.
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My bedroom is my sanctuary. It's like a refuge, and it's where I do a fair amount of designing - at least conceptually, if not literally.
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Even the most understated ceremony involves a certain respect for ritual and pageantry. No one plays more of a significant role than the bride's attendants.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives, their creativity.
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I love the focus and bravery of European designers, but I love the nonchalance and throwaway aspect of America that has made Ralph Lauren and Calvin Klein two of the greatest icons. I try to bridge those two worlds in my work. The clothes may be couture on the runway but there's an attitude that's very street and that comes from America.
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A bride should look at everything she possibly can...just so she can experiment and see what makes her really feel beautiful or glamorous or classical or whatever she desires to be on that particular day.
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I want people to see the dress, but focus on the woman.
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Design is about point of view, and there should be some sort of woman or lifestyle or attitude in one's head as a designer.
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A woman is never sexier than when she is comfortable in her clothes.
Vera Wang