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Just because I’m telling a story about a woman losing faith is not my rebellion against what I grew up in. If anything, it really affected the way I approached the story, and in fact, approach everything. I don’t judge my characters.
Vera Farmiga
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Vera Farmiga
Age: 51
Born: 1973
Born: August 6
Actress
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Television Producer
Clifton
New Jersey
Vera Ann Farmiga
Woman
Judging
Facts
Characters
Stories
Losing
Character
Approach
Approached
Anything
Grew
Rebellion
Everything
Story
Affected
Really
Faith
Judge
Way
Fact
Telling
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I am drawn to intimate, often uncomfortable portraits of a woman persevering and awakening.
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Patrick sort of had a very pragmatic, practical, Ed-like approach and went down to see.
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I'm incredibly spiritual. There are like tens of thousands of denominations I don't fit in any one of those denominations comfortably. But I have a very personal relationship with God.
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Doubt is the middle position between knowledge and ignorance. It encompasses cynicism but also genuine questioning.
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My husband is my best friend he knows my sensibilities.
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But I think for me, why I was drawn to the piece is, at the core of the story, it's a love story to me - between Ed and Lorraine, between these two families who are asking for help and us who are in the business of giving help.
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Partying has never been my thing. I've been around some wild people. I've been in the same room and watched them experiment, and that's been entertaining.
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I'm thinking about anything and everything. I'm making stuff up in my head, I'm using sense memory. Sometimes when it doesn't come and you've got no choice because you're getting paid to do it, you grasp at straws. It's always easy now with my kids. I just create some what-ifs in my head, something horrible that would devastate me as a mother.
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The nature of evil, the nature of it, it exists. It exists and I think within us we have the tools. If we have the will, we can combat it. I think the power is within us and it lies in our own conceptualization of God and positivity and compassion and love.
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Someone once told me that religion is like a knife: You can stab someone with it, or you can slice bread with it.
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Chekhov, when it's done well and you're ready for it, can actually be quite funny.
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Sometimes I attract roles that are necessary either for personal growth or enlightenment.
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There's just a deeper level of sophistication in the writing of female characters on TV.
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Honesty is not synonymous with truth.
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I look for struggle in the roles I choose - struggle and perseverance.
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The biggest research of all when I do a character is self-examination. You look at yourself and you ask, 'How am I similar to this person and how am I different?'
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I just wanted to make sure that yes, that those horror - they worked as a genre. To me, I just wanted to be touched by the film in the way that I saw plausible. Which is the story about compassion - giving and receiving it in those desperate times of need.
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