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I was surprised when I was asked to play Miss Daisy and wondered if I could - only in part because she was Jewish but, also because she was a Southern woman who has hardly opened her mouth before she declares she's not prejudiced, and yet everything she does shows how totally prejudiced she is.

Vanessa Redgrave

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Vanessa Redgrave
Age: 87
Born: 1937
Born: January 30
Actress
Film Actor
Film Director
Screenwriter
Stage Actor
Woman
Surprised
Prejudiced
Shows
Hardly
Daisy
Part
Mouth
Declares
Also
Miss
Daisies
Doe
Mouths
Wondered
Everything
Totally
Opened
Play
Missing
Southern
Asked
Jewish

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One must never comment as an actor, never show that a character is shallow or vindictive, but let that be conveyed. I mean, none of us thinks of ourselves as being vindictive or shallow - perhaps we should.
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We all come to the theater with baggage The baggage of our daily lives, the baggage of our problems, the baggage of our tragedies, the baggage of being tired. It doesn't matter what age you are. But if our hearts get opened and released - well, that's what theater can do, and does sometimes, and everyone is thankful when that happens.
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A conservative frame of mind is very limiting for an actor, and a human being, too.
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I give myself to my parts as to a lover.
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I've opened my mouth on a lot of subjects. And I thought the more prestige you get, I'd have the power to do what I like. It's not true.
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Theater and poetry were what helped people stay alive and want to go on living.
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I think the theatre is as essential to civilization as safe, pure water.
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You can't do what you've been asked to do unless you do the best you can. And roughly speaking, the best you can do is to be very available as a character and actor to the people you're acting with. That's equally important, whether the camera's on the other person or on you.
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An awful lot of filmmaking and playmaking is taken over by marketers and publicists, who set about to tell people what to think. And people feel safer that way. But it's not safe, and the whole wonderful thing that cinema and filmmakers can contribute is to go into the not-safe land of real life.
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