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I've opened my mouth on a lot of subjects. And I thought the more prestige you get, I'd have the power to do what I like. It's not true.

Vanessa Redgrave

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Vanessa Redgrave
Age: 87
Born: 1937
Born: January 30
Actress
Film Actor
Film Director
Screenwriter
Stage Actor
Opened
Mouth
Mouths
Subjects
True
Thought
Power
Like
Prestige

More quotes by Vanessa Redgrave

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A theater is being given over to market forces, which means that a whole generation that should be able to do theater as well as see it is being completely deprived
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One of the joys of cinema is that, given the right circumstances, and the genius director, an incredibly wonderfully actor can become the embodiment of his character.
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Integrity is so perishable in the summer months of success.
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You can't do what you've been asked to do unless you do the best you can. And roughly speaking, the best you can do is to be very available as a character and actor to the people you're acting with. That's equally important, whether the camera's on the other person or on you.
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One must never comment as an actor, never show that a character is shallow or vindictive, but let that be conveyed. I mean, none of us thinks of ourselves as being vindictive or shallow - perhaps we should.
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The arts stop society going rotten and mad.
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I think the theatre is as essential to civilization as safe, pure water.
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A conservative frame of mind is very limiting for an actor, and a human being, too.
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Theater and poetry were what helped people stay alive and want to go on living.
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As a mother you have got to have a view for now and a view for the future.
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The stage is actor's country. You have to get your passport stamped every so often or they take away your citizenship.
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There always comes a moment where all the departments in a film need to work together. And if a director, his first assistant director, and cinematographer have a very clear vision, then everybody does work together.
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We will always want films ... that basically are centred on young people, because young people is the way we live on, we older people, insofar as we live on.
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You can't be striving to please you must be striving to get to the heart of the matter.
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What a script says that isn't dialogue is as important as the spoken word.
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I was surprised when I was asked to play Miss Daisy and wondered if I could - only in part because she was Jewish but, also because she was a Southern woman who has hardly opened her mouth before she declares she's not prejudiced, and yet everything she does shows how totally prejudiced she is.
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When somebody can't reveal what they're after - whether by word or by how the camera is set up, lighting, etcetera - it's like an electronic beep beep it interferes very much with what we actors can do. And, after all, the director wants the actors to be bringing forth the best that they can, according to whatever vision he has.
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A deeper truth the camera can see can be more surprising than even the director imagined it could be. That's a wonderful thing that grows and happens in films.
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Shakespeare lets us see real people undergoing real processes, with real feelings
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An awful lot of filmmaking and playmaking is taken over by marketers and publicists, who set about to tell people what to think. And people feel safer that way. But it's not safe, and the whole wonderful thing that cinema and filmmakers can contribute is to go into the not-safe land of real life.
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