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Shakespeare lets us see real people undergoing real processes, with real feelings

Vanessa Redgrave

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Vanessa Redgrave
Age: 87
Born: 1937
Born: January 30
Actress
Film Actor
Film Director
Screenwriter
Stage Actor
People
Undergoing
Processes
Lets
Shakespeare
Process
Feelings
Real

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The arts stop society going rotten and mad.
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Theater helps people keep sane.
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We all come to the theater with baggage The baggage of our daily lives, the baggage of our problems, the baggage of our tragedies, the baggage of being tired. It doesn't matter what age you are. But if our hearts get opened and released - well, that's what theater can do, and does sometimes, and everyone is thankful when that happens.
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An awful lot of filmmaking and playmaking is taken over by marketers and publicists, who set about to tell people what to think. And people feel safer that way. But it's not safe, and the whole wonderful thing that cinema and filmmakers can contribute is to go into the not-safe land of real life.
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The stage is actor's country. You have to get your passport stamped every so often or they take away your citizenship.
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One must never comment as an actor, never show that a character is shallow or vindictive, but let that be conveyed. I mean, none of us thinks of ourselves as being vindictive or shallow - perhaps we should.
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There always comes a moment where all the departments in a film need to work together. And if a director, his first assistant director, and cinematographer have a very clear vision, then everybody does work together.
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You can't be striving to please you must be striving to get to the heart of the matter.
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A theater is being given over to market forces, which means that a whole generation that should be able to do theater as well as see it is being completely deprived
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Integrity is so perishable in the summer months of success.
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A deeper truth the camera can see can be more surprising than even the director imagined it could be. That's a wonderful thing that grows and happens in films.
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The people I admire most are those who struggle for everyone.
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What a script says that isn't dialogue is as important as the spoken word.
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You can't do what you've been asked to do unless you do the best you can. And roughly speaking, the best you can do is to be very available as a character and actor to the people you're acting with. That's equally important, whether the camera's on the other person or on you.
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A conservative frame of mind is very limiting for an actor, and a human being, too.
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When somebody can't reveal what they're after - whether by word or by how the camera is set up, lighting, etcetera - it's like an electronic beep beep it interferes very much with what we actors can do. And, after all, the director wants the actors to be bringing forth the best that they can, according to whatever vision he has.
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We will always want films ... that basically are centred on young people, because young people is the way we live on, we older people, insofar as we live on.
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I think the theatre is as essential to civilization as safe, pure water.
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The society Shakespeare knew was heading for tremendous change, and he seems to have recognized that and written about it in a coded way. I understand those codes, I think
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One of the joys of cinema is that, given the right circumstances, and the genius director, an incredibly wonderfully actor can become the embodiment of his character.
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