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A conservative frame of mind is very limiting for an actor, and a human being, too.
Vanessa Redgrave
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Vanessa Redgrave
Age: 87
Born: 1937
Born: January 30
Actress
Film Actor
Film Director
Screenwriter
Stage Actor
Limiting
Frame
Conservative
Actor
Actors
Human
Humans
Mind
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What a script says that isn't dialogue is as important as the spoken word.
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You can't be striving to please you must be striving to get to the heart of the matter.
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We will always want films ... that basically are centred on young people, because young people is the way we live on, we older people, insofar as we live on.
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I give myself to my parts as to a lover.
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One must never comment as an actor, never show that a character is shallow or vindictive, but let that be conveyed. I mean, none of us thinks of ourselves as being vindictive or shallow - perhaps we should.
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The people I admire most are those who struggle for everyone.
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We all come to the theater with baggage The baggage of our daily lives, the baggage of our problems, the baggage of our tragedies, the baggage of being tired. It doesn't matter what age you are. But if our hearts get opened and released - well, that's what theater can do, and does sometimes, and everyone is thankful when that happens.
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The stage is actor's country. You have to get your passport stamped every so often or they take away your citizenship.
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There always comes a moment where all the departments in a film need to work together. And if a director, his first assistant director, and cinematographer have a very clear vision, then everybody does work together.
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You can't do what you've been asked to do unless you do the best you can. And roughly speaking, the best you can do is to be very available as a character and actor to the people you're acting with. That's equally important, whether the camera's on the other person or on you.
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An awful lot of filmmaking and playmaking is taken over by marketers and publicists, who set about to tell people what to think. And people feel safer that way. But it's not safe, and the whole wonderful thing that cinema and filmmakers can contribute is to go into the not-safe land of real life.
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Integrity is so perishable in the summer months of success.
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A deeper truth the camera can see can be more surprising than even the director imagined it could be. That's a wonderful thing that grows and happens in films.
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