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Heavy Connection is just basically about psychic stuff...it's kind of about connections that you're not normally making. It's like a fate number where you're making psychic connections that you're not really aware of but they're there.
Van Morrison
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Van Morrison
Age: 79
Born: 1945
Born: August 31
Composer
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Belfast
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George Morrison
George Ivan Morrison
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Sir George Ivan Morrison
Van the Man
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More quotes by Van Morrison
I shall drive my chariot down your street and cry hey it's me.
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You gotta fight every day to keep mediocrity at bay.
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When heart is open, you will change just like a flower slowly opening.
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I find it extremely difficult talking about my songs because there's so many different things that can make a song come together.
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The whole trip that happened in the late 60s and 70s was kind of a throwback to a lot of folk styles. I got into it as well 'cause I started with the folk styles.
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As a developing musician, skiffle became a platform for me to start playing music.
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It's real difficult to pin down directions. I just want to do collaboration-tape stuff.
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I went back to Belfast and started a club, the Maritime. No one had thought about doing a blues club, so I was the first.
Van Morrison
I just can't stand it [jazz/rock]. It just doesn't sound right to me. It doesn't hit me...it doesn't get me...it just doesn't grab me.
Van Morrison
I thought of collaborating with other people which still might happen at this point. It might not. I was just trying to break the cycle because I had gotten to a point where I was definitely sure that I was on the wrong track after about 16 years.
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I just wanted to have a look at my whole musical career, get right back to when I started and why I started doing it in the first place.
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In order to win you must be prepared to lose sometime. And leave one or two cards showing.
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I think Paul McGuinness and U2 created the Irish music industry. It certainly wasn't there before that.
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It was like I had evolved to a certain stage where I was stuck in this songwriter bag as an image. But basically at heart, I'm a rocker. And I still am. But I was caught up in the singer/songwriter bag and I wasn't really enjoying it.
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I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
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I'd come to the point where I wasn't really putting out creatively. I didn't seem to have anything to say in that period of time after the '74 tour. There was nothing definite that I wanted to record.
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Jazz was always cool. That was what I liked about jazz - it was always cool. Now I see the cats that were basically cool getting kind of uncool. So that ruins what I feel about jazz.
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There's novel reading, and then there's the other kind of reading. Take somebody like Carl Jung, the psychiatrist - now there's somebody worth getting into. With novels, I'm kind of fly by night. It isn't something I can be really consistent with.
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I think I opened up an area with Astral Weeks that hit a lot of peoples' nerves. But you can't really say that they're my favorite songs.
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You have to understand a bit about the poetry of the blues to know where the references are coming from.
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