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Jazz goes into folk music, into rock music. Jazz is in practically everything except classical music where they're reading the same music all the time, the same way, the same tempo every night.

Van Morrison

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Van Morrison
Age: 79
Born: 1945
Born: August 31
Composer
Guitarist
Musician
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Recording Artist
Saxophonist
Singer
Singer-Songwriter
Songwriter
Belfast
Ireland
George Morrison
George Ivan Morrison
Sir George Morrison
Sir George Ivan Morrison
Van the Man
Night
Classical
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Folks
Everything
Jazz
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Way
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Rocks
Practically
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Reading
Folk

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You learn to read the audiences after a while, and there are all different kinds of gigs.
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The idea [of A Period of Transition album] was to get a break from everything for a while because I've been doing it for so long. I started doing it when I was 12.
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A lot of things come together to make up a song. It's just images.
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I just wanted to have a look at my whole musical career, get right back to when I started and why I started doing it in the first place.
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In the gentle evening freeze, by the whispering shady trees I will find sanctuary in the Lord.
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If you're with a good band and everybody's from the old school, it's different. When you're in your element, you're in your element and things just come. You don't have to drag them out or force them out. They just happen.
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There's quite a few people getting into that - new acts coming along that are using a lot of stuff that happened in the 50s and 60s. They're completely ignoring the 70s which is kind of a turn on because to me nothing has really gone down in the 70s.
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I'd come to the point where I wasn't really putting out creatively. I didn't seem to have anything to say in that period of time after the '74 tour. There was nothing definite that I wanted to record.
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I'm talking about noise rock. I don't think that noise rock element belongs in jazz. It's not for me anyway it just doesn't fit.
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Well I've got to get out of the rat-race now I'm tired of the ways of mice and men And the empires all turning into rust again. Out of everything nothing remains the same That's why I'm cloud hidden Cloud hidden Whereabouts unknown.
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I don't have any regrets about the album [Veedon Fleece]. But it's the same old story - an album is basically 35 or 40 minutes of what you do. It's 'part' of what you do.
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Enlightenment says the world is nothing Nothing but a dream, everything's an illusion And nothing is real.
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Don't want to discuss it, I think it's time for a change You may get disgusted, some think that I'm strange In that case I'll go underground, get some heavy rest Never have to worry, about what is worst and what is best.
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My ambition when I started out was to play two or three gigs a week. And that's what I'm doing.
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What I don't like is taking it to extremes and making all these intellectualizations about what basically is simple music. It's simple stream-of-consciousness stuff in my songs. What I'm trying to get across is misinterpreted.
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Music to me is spontaneous, writing is spontaneous and it's all based on not trying to do it. From beginning to end, whether it's writing a song, or playing guitar, or a particular chord sequence, or blowing a horn, it's based on improvisation and spontaneity.
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It's like something happened to you that caused you to do what you do...you heard something somewhere, you felt something about this music that was definitely part of your own vision. That's what the whole thing is like.
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I just like any music to swing, no matter what it is.
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What was happening with me, with the album [A Period of Transition], with the people who took the pictures, the record company, everything, getting a new manager [Harvey Goldsmith]-it was all saying a period of transition to me so that was the title choice. It says what it is and obviously nobody is going to analyze that. It's exactly what it is.
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I think Paul McGuinness and U2 created the Irish music industry. It certainly wasn't there before that.
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