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There aren't any labels - all jazz means is improvization and you can never play a tune the same way twice. So jazz spills over into everything.
Van Morrison
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Van Morrison
Age: 79
Born: 1945
Born: August 31
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Belfast
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George Morrison
George Ivan Morrison
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Van the Man
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More quotes by Van Morrison
What was happening with me, with the album [A Period of Transition], with the people who took the pictures, the record company, everything, getting a new manager [Harvey Goldsmith]-it was all saying a period of transition to me so that was the title choice. It says what it is and obviously nobody is going to analyze that. It's exactly what it is.
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J.P. Donleavy - now he's one writer I am consistent with. He's written books that I can definitely connect with. He has amazing insights which other people missed out on. Even with his descriptions of Northern Ireland.
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I haven't really heard much that's impressed me the way it was when I first heard Ray Charles or somebody like that. That was really an impression.
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Then it evolved into more of a ballad style singer/songwriter thing. And there was a conflict in trying to merge the two styles with the same band behind me. 'Cause the musicians that I would need to do ballad-oriented tunes would require musicians who were more into jazz.
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When you perform live, it's a different trip - it's different energy. I just felt a conflict between both of the trips. I was trying to evaluate what it meant for me to be a singer/songwriter and what that whole thing all meant.
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Heavy Connection is just basically about psychic stuff...it's kind of about connections that you're not normally making. It's like a fate number where you're making psychic connections that you're not really aware of but they're there.
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We're [with Robbie Robertson ] jazz musicians. The context may be rock 'n' roll but it's still jazz. It's jazz and that means improvization...you play a tune the way it feels and you play it differently every time. It can never be the same.
Van Morrison
As a developing musician, skiffle became a platform for me to start playing music.
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I had my eyes closed in the dark, I sighed a million sighs, I told a million lies, to myself, to myself.
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Hark, now hear the sailors cry, smell the sea, and feel the sky let your soul & spirit fly, into the mystic.
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I educated myself. To me, school was boring.
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Way over on the railroad, Tomorrow all the tipping trucks will unload together, Every scrapbook stuck with glue, And I'll stand beside you, Beside you, child.
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[Touring] is not necessarily a priority. It's just a part of who I am as a performer. That's obviously why I'm doing it why I'm in this business is part of me has to perform.
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Oh won't you stay Stay a while with your own ones Don't ever stray Stray so far from your own ones 'Cause the world is so cold Don't care nothing for your soul That you share with your own ones.
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The wild night is calling.
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I'm very lucky, I'm happy with life because my experiences led me to do what I had to do. I don't have any regrets whatsoever.
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I'd been performing in bands since I was 12 which represented, at that point, about 16 years of playing music.
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I'll tell you what does impress me: the fact that a lot of the cats who were our idols are still out there doing it. That impresses me very much.
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I'm talking about noise rock. I don't think that noise rock element belongs in jazz. It's not for me anyway it just doesn't fit.
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Skiffle was blues featuring a washboard and acoustic instruments. It encompassed blues, with elements of folk, jazz, and, at times, American country-and-western music.
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