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Someone once described me as a maverick and that's what I would say. I'm a maverick not by choice but by conviction.
Van Morrison
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Van Morrison
Age: 79
Born: 1945
Born: August 31
Composer
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Belfast
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George Morrison
George Ivan Morrison
Sir George Morrison
Sir George Ivan Morrison
Van the Man
Conviction
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Someone
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Maverick
Described
More quotes by Van Morrison
I can see more naturalness in basic blues, basic R & B, basic rock 'n' roll.
Van Morrison
Hark, now hear the sailors cry, smell the sea, and feel the sky let your soul & spirit fly, into the mystic.
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The whole trip that happened in the late 60s and 70s was kind of a throwback to a lot of folk styles. I got into it as well 'cause I started with the folk styles.
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The job of the jazz people is to take it as far as it will go and that's what they're doing. But in the process of taking it out there, there has to be some times when they're not getting it right. It all depends on what you dig. I personally don't think the fusion of jazz with the heaviness of rock is working.
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It will make you feel good, and it will make you feel whole, when the spirit moves you and it fills you through and through.
Van Morrison
I thought of collaborating with other people which still might happen at this point. It might not. I was just trying to break the cycle because I had gotten to a point where I was definitely sure that I was on the wrong track after about 16 years.
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It was really strange for me when I started to play concerts in America where the audiences were all sitting down.
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There's always stress involved in any genre or art form, there's always going to be a struggle. If there's no struggle, you wouldn't do anything. What are you going do? Retire?
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I was all caught up with identifying with certain things. They just weren't very stimulating things.
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It's like something happened to you that caused you to do what you do...you heard something somewhere, you felt something about this music that was definitely part of your own vision. That's what the whole thing is like.
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Jazz was always cool. That was what I liked about jazz - it was always cool. Now I see the cats that were basically cool getting kind of uncool. So that ruins what I feel about jazz.
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Memories, how they linger in the twilight and in the wee small hours sometimes just before dawn.
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[You Got To Make It Through The World] it's kind of a survival song. Survival is what's happening and it's basically a song about that.
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I like to see people reaching back for the roots and for the reason why. Not intellectually, but just for the gut feeling of what it's all about.
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When I first started drinking, everybody was doing it. That was before they discovered marijuana and all that. It was the late 50s, early 60s - it was the beginnings of the rock 'n' roll era. The main drink was like wine. And even that was a romantic throwback to something.
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Somebody's going to hear a song that will key in a nerve or something in their experience that represents their own vision. And the next person is going to see it completely different. So even what it means to me is probably irrelevant. It's totally irrelevant. What matters is what it means to each person listening to it.
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I understood jazz, I understood how it worked. That's what I apply to everything.
Van Morrison
Skiffle was blues featuring a washboard and acoustic instruments. It encompassed blues, with elements of folk, jazz, and, at times, American country-and-western music.
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I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
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You take stuff from different places, and sometimes you stick a line in because it rhymes, not because it makes sense.
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